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Monday, Oct 26, 2026
New REVIEWS!
Ghost in the Cell (2026) A Kind Heart Under the Gore and Slap-Happy Combat
High Road to China (1983) A Boy’s Own Adventure
Survive Style 5 (2004) The Return of a Stone Cold Cult Classic Weirdo
The Shout (1978): cryptic, constantly rewarding folk horror classic
Eastern Trails – The Western at DEFA (1967-75): go east, young man!
Hush (2016) Mike Flanagan’s Early Suspenseful Horror, Reimagined
Trick or Treat (1986) THE Rock N’ Roll High Camp Comedy Horror Classic
Sexy Beast 4K (2000) Sweltering Heat & Subversive Gangsters
Semolina Pilchard (2026) A fearless independent Crime Thriller, Liverpool-Style
The Black Rock (2026) Impressive Micro-Budget WWII Drama
Histoire(s) du cinéma (1988-1998) review 2: the extras (1982-2024)
Treasures from the Golestan Film Studio (1961-1974): the union that birthed Iranian cinema

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1

ELSE (2024) A Claustrophobic French Body Horror That Gets Under Your Skin

05/03/2026
2

Computer Chess (2013) Part Comedy, Part Doc, and Defiantly retro (Review)

20/01/2014
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The Breaking Point (1950) Dark, Sweaty Classic Noir Lost in the Shadow of Legends (Review)

15/08/2022
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Sorcery (2023): A Patient, Ethereal Addition to the Post-2010s Folk Horror Revival

14/06/2024
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Zombie Fight Club (2014): high trash, complete trash or somewhere in-between? (Review)

05/09/2015
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Alice Doesn’t Live Here Anymore (1974) From the Exorcist to long-suffering housewife, Ellen Burstyn’s incredible Charismatic Lead (Review)

29/03/2017
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Room at the Top (1959): The Birth of British New Wave Cinema (Review)

15/03/2024
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Inside the Mind of Coffin Joe (1964-2008) The Man, His Myth and The Legend that made him (Review)

18/01/2024
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Nashville (1975) Altman at his very best provided you like Country Music (Review)

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China O Brien I & II (1990) The Simple Pleasures of the Straight to Video Years(Review)

29/04/2024
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Dear Zoe (2022) Sadie Sink and the humanity beyond Cliche (VOD Review)

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John Dies at the End (2012): Surreal and Meaty, needs to be seen to be believed (Review)

17/02/2014
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Reviews

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Daisies (1966) A High-Punk, High-Art, High-Feminist one of a Kind (Review)

Sarah Hayton 23/10/2018
Daisies (1966) A High-Punk, High-Art, High-Feminist one of a Kind (Review)

Everything is Terrible in Bikinis – Alt-Rebellion as a Means of Disrupting the Patriarchy Daisies is an appropriate film for the exciting realm of Cinema Eclectica. It is a 1960s Czech avante-garde film about two bored girls who decide that, as the world has been spoiled, that they too will […]

  • Movies & Documentaries
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Mark Isaacs: Five Films, One Filmmaker (2001-2017)(Review)

Aidan Fatkin 22/10/2018
Mark Isaacs: Five Films, One Filmmaker (2001-2017)(Review)

Second Run dropped a bombshell of a box set dedicated to the films of Marc Isaacs, a British documentary filmmaker known for creating closed-off, intimate films with a cast of many memorable and sometimes eccentric personalities. It doesn’t matter if his contributors are small-time BNP supporters, nobody street sweepers, or […]

  • Movies & Documentaries
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Monkey Shines (1988) Lesser Romero Doesn’t Mean Bad Romero (Review)

Rob Simpson 18/10/2018
Monkey Shines (1988) Lesser Romero Doesn’t Mean Bad Romero (Review)

One of the issues I have always had with the 70s and 80s horror is George A. Romero. Not his movies as I love more of them than I don’t, more the way the industry dealt with him. First and foremost he was a satirist who wanted to tell stories […]

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The Comfort of Strangers (1990) High-Art Horror? Erotica Thriller? or Both? (Review)

Mark Cunliffe 15/10/2018
The Comfort of Strangers (1990) High-Art Horror? Erotica Thriller? or Both? (Review)

Paul Schrader’s 1990 film, The Comfort of Strangers, is an adaptation of Ian McEwan’s 1981 novel of the same name and boasts a screenplay by Harold Pinter. It tells the story of an attractive, middle-class British couple named Mary and Colin (Natasha Richardson and Rupert Everett) who have arrived in […]

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Eye of the Needle (1981) Rescue Under Fire (2017): Two War Reviews

Graham Williamson 12/10/2018
Eye of the Needle (1981) Rescue Under Fire (2017): Two War Reviews

The release of a book about Where Eagles Dare by no less a high-culture luminary than Geoff Dyer has us wondering: when did the war movie stop being a pillar of mainstream entertainment? The simple answer might be once the politics of war became divisive, but recent films like Lincoln […]

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City of the Living Dead (1980) Gratuitously cruel and inappropriately violent fun (Review)

Andrew Young 11/10/2018
City of the Living Dead (1980) Gratuitously cruel and inappropriately violent fun (Review)

October is upon us once again and with Halloween lurching inexorably towards us, there is no better way to get into the spooky spirit than with a good old-fashioned schlocky horror B-movie. With that in mind, let us turn to face the ghastly visage of the 1980’s City of the […]

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The Knack… and How to Get It (1965) caprice and candyfloss with a dark undercurrent (Review)

Sarah Hayton 10/10/2018
The Knack… and How to Get It (1965) caprice and candyfloss with a dark undercurrent (Review)

 Navigating the Tricky Sexual Waters of the Past Through the Lens of a Comedy Puffball. Inspired by the original stage play by Ann Jellicoe, a leading proponent of the 1960s New Wave theatre, The Knack is a tale of a naïve northern lass, Nancy, (Rita Tushingham) who comes to live […]

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Redcon-1 (2018) the micro-budget zombie film with ants in its pants (Review)

Rob Simpson 28/09/2018
Redcon-1 (2018) the micro-budget zombie film with ants in its pants (Review)

Here we go again, Redcon-1. A thousand different websites for a thousand different zombie movies all say the same thing, this is one monster who has been exhausted way past the breaking point. In other news, rain is wet. I mock but in the past twenty years, you could probably […]

  • Movies & Documentaries
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Madame (2017) A comedy of upper-class errors (Review)

Sarah Hayton 18/09/2018
Madame (2017) A comedy of upper-class errors (Review)

Ah, Paris: City of Romance. You can tell from the get-go that our lead couple are artsy types. He wears Truman Capote glasses and she simply must cycle through the streets of Paree, an accordion trilling in her mind. So is our introduction to Anne and Bob Fredericks (Toni Colette […]

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Last Year at Marienbad (1961) … and the mystery of movie watching (Review)

Mark Cunliffe 17/09/2018
Last Year at Marienbad (1961) … and the mystery of movie watching (Review)

Alan Resnais’ Last Year at Marienbad is a film that poses many questions and offers very little answers. Having watched it, it seems only fitting therefore that I’m left with a question of my own (well two if you include ‘can I write a review about it without sounding pretentious?’) and […]

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