Like the first film, The Chronicles of Riddick (2004), continues to shape the “Riddick-verse”, enhancing the foundation that was created in Pitch Black (2000). In that first film we’re given a basic story and world view, and it works – in fact, it’s an excellent film because of it. Vin […]
Reviews
V H S Beyond (2024): Far From Out Of This World
If you look at the list of directors and writers who have contributed to the V H S series, it is impressive how many would go on to huge success such as Adam Wingard, David Bruckner, Benson and Moorhead and Chloe Okuno, to name a few. By this point though, […]
Red Sun (1971) East Meets Western (Review)
At first glance Red Sun seems like a standard western, however, the first thing you notice is the starry international cast: Charles Bronson (American), Toshiro Mifune (Japanese), the recently deceased Alain Delon (French) and Ursula Andress (Swiss) – it truly is an interesting film. This is one of the aspects […]
The Hitcher (1986) What a Picture! (review)
Released in 1986, The Hitcher was the brainchild of writer Eric Red (Near Dark, Blue Steel) that was directed by Robert Harmon. Between the paltry box-office takings and criticisms regarding the film’s “sadistic” violence (including zero star reviews from Roger Ebert and Gene Siskel), it was an unappreciated work that […]
Home Sweet Home: Where Evil Lives (2023) Transgenerational Guilt Haunts this House (Review)
Out now from Blue Finch Films is the rarest of rarities for the modern horror fan, a German genre title – Home Sweet Home: Where Evil Lives. Aside from the halcyon days of Expressionism and the Euro Horror boom there are only a handful of titles from Germany and Austria […]
We Still Kill the Old Way (1967) An Enigmatic Tale of Crime and Corruption (Review)
Released on Blu-ray by Radiance is yet another slice of classic crime drama from Italian cinema – Elio Petri’s 1967 movie We Still Kill the Old Way, starring Gian Maria Volonté and Irene Papas. The film is an adaptation by Ugo Pirro of the 1966 novel To Each His Own […]
Megalopolis (2024) It’s A Lot, And A Lot Of It Is Not Good
At the age of 85, Francis Ford Coppola has literally nothing to prove as a director, and whatever the reception was to his small-scale films throughout the 1990s and 2000s, they managed to coast by due to the fact that the filmmaker behind them made the first two Godfather films […]
The Valley of the Bees (1968) Brutal Middle Ages yarn with a sting in its tail
It’s easy to think about history in black and white. We’re not just talking about absolute morality here, oh no; some of the best period cinema of all time is defined by its monochromatic stylings, reducing the imaginative colour of times past down to stark impressionism. The leaders of Eastern […]
The Albino’s Trees (2016) Eiko Ishibashi Scored Killing of a Sacred Deer (Review)
This modest, low budget drama aims high as a Japanese take on Greek tragedy that’s lightly based on the two millennia-old story of Agamemnon’s sacrifice (and also beating Yorgos Lanthimos to the punch by a year). A film by Masakazu Kaneko, who serves as director, writer, producer, editor, and cinematographer, […]
Vital (2004) Signs of life in a tale of death and decomposition (Review)
There’s something thrilling about a director zigging when you expect them to zag. The best in the biz operate under a distinct style that can be modulated to suit different stories; whatever they’re saying, you can always tell it’s them saying it. Japanese punk auteur Shin’ya Tsukamoto is one such […]