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Monday, Sep 7, 2026
New REVIEWS!
Holy Days (2026) Your Granny’s Feel-Good Movie of the Year
Vampire’s Kiss (1988) The Patient Zero of Nicolas Cage Performances
Hellcat (2025) Breathes Fresh Life into One-Location Horror
Jiří Trnka – Puppet Master: The Czech Year (1947), Old Czech Legends (1953), The Hand (1965)
Stolen Kingdom (2026) – A whole new world behind the curtain
Dead Man’s Shoes (2004) A Taut and Terrifying Tale of Abuse and Revenge
Two Boxes: Televised Terror in Franco’s Spain (1972 & 1974) Unabashed horror that puts most feature lengths to shame
Cruel Hands (2026) A Grim and Tense Domestic Horror of Flight and Fire
Into the Forest: Folktales at DEFA (1955-77) The Film That Made Paul Whitehouse Pee His Pants (as a child)
Desperate Living (1977) The darkest, cruellest, and most shocking entry in Waters’ Trash Trilogy
The Odyssey (2026) Grounded & Terrifying, Nolan’s Boldest Adaptation to Date
Alice Doesn’t Live Here Anymore 4K (1974) – an underrated work from a legendary filmmaker

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Lord of the Flies (1963) Literature Classic lives and dies on the shoulder of its child actors (Review)

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Reviews

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Padre Pio (2022) Hollywood pariah plays pious friar in pandering prayer for pity (Review)

Simon Ramshaw 11/03/2024
Padre Pio (2022) Hollywood pariah plays pious friar in pandering prayer for pity (Review)

Tales of redemption can come in many forms. The Bible is full of them, from Noah to Moses, depicting flawed individuals picking themselves up and striding into the divine light of the Lord. Hollywood redemption stories are a different kettle of fish. Since 2017, the culture has changed, and victims […]

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Tropic (2022) Sci-Fi as a deeply personal take on Male Pride (Review)

Rob Simpson 05/03/2024
Tropic (2022) Sci-Fi as a deeply personal take on Male Pride (Review)

There can be no avoiding weeks like this – weeks where other movies run in fear of the magnitude of the big release of the week, Denis Villeneuve’s Dune Part Two. However, there is also something sly about weeks like this, as you can find counter-programming, antidotes to the magnetism […]

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Dune Part Two (2024) Powerful Blockbuster Storytelling that leaves you wanting more (Review)

Vincent Gaine 05/03/2024
Dune Part Two (2024) Powerful Blockbuster Storytelling that leaves you wanting more (Review)

There is a moment in Dune Part Two when Paul Atreides (Timothee Chalamet) is captured in long shot using a device to create a thumping sound. Tiny against the expanse of the desert, his actions nonetheless create expanding ripples. This is a microcosm of the film as a whole, as […]

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Yakuza Wolf I & II (1972) A Snapshot of a World long gone, Oozing Cool (Review)

Ben Jones 28/02/2024 1
Yakuza Wolf I & II (1972) A Snapshot of a World long gone, Oozing Cool (Review)

TOEI were at their height of their Yakuza related movie output when the early 70s came around. They also had arguably the biggest star on the block in Shinichi “Sonny” Chiba, star power that was only matched by his vast output (37 acting credits across TV and Film between 1970 […]

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Deliver Us (2024): Antichrist horror sacrifices ambiguity for shock (Review)

Mike Leitch 28/02/2024
Deliver Us (2024): Antichrist horror sacrifices ambiguity for shock (Review)

I’m no expert on religious horror films, so it’s hard for me to gauge if there’s been a recent resurgence or there’s just a consistent stream of them. Either way, Lee Roy Kunz & Cru Ennis’s Deliver Us comes out in a relatively crowded market, though with recent blockbusters like […]

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By A Man’s Face You Shall Know Him (1966) Harmony, Yakuza and the Rediscovery of Tai Kato (Review)

Jimmy Dean 28/02/2024
By A Man’s Face You Shall Know Him (1966) Harmony, Yakuza and the Rediscovery of Tai Kato (Review)

I’ve previously written at length about the joy of discovering new films and filmmakers through Radiance Films — one of which was I, The Executioner (1968), a brutal neo noir which introduced me to Akira Kurasawa’s former apprentice Tai Kato. Radiance are clearly passionate about restoring and celebrating his work, […]

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Black Tight Killers (1966) a chic and funky throwback to simpler, stylish times (Review)

Simon Ramshaw 27/02/2024
Black Tight Killers (1966) a chic and funky throwback to simpler, stylish times (Review)

There can be a curse for any film with a great title. For every Hobo with a Shotgun, there is a Cannibal Women in the Avocado Jungle of Death – i.e. a film that wholly delivers on its title’s promise versus a film that falls completely short of it. That’s […]

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The Village Detective: A Song Cycle (2021) The Ocean Gives Up Its Mysteries (Review)

Mark Cunliffe 27/02/2024
The Village Detective: A Song Cycle (2021) The Ocean Gives Up Its Mysteries (Review)

In 2016, a crew of Icelandic fishermen operating in the North Atlantic Ocean, dredged up something surprising from the seabed – four decaying reels of film, semi-preserved by the ocean’s natural resources of hydrogen sulphide, that set innovative documentarian Bill Morrison, of Dawson City: Frozen Time fame, on a fascinating […]

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Allonsanfàn (1974) Mastroianni Dons The Mask of Anarchy (Review)

Mark Cunliffe 26/02/2024
Allonsanfàn (1974) Mastroianni Dons The Mask of Anarchy (Review)

Once again, Radiance have uncovered another gem from 1970s Italian Cinema. They’ve dusted it down, smartened it up and packed it with extras and released it to Blu-ray this week. But this one isn’t a poliziotteschi or a giallo, this is Allonsanfàn, a classy period drama writer/director siblings Paulo and […]

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Paths of Glory (1957) Kubrick’s Antiwar Masterpiece in 4K (Review)

Jimmy Dean 26/02/2024
Paths of Glory (1957) Kubrick’s Antiwar Masterpiece in 4K (Review)

Eureka’s Masters of Cinema series was formative in developing my knowledge and love of cinema. I glance over at my collection and think of how Eureka introduced me to F.W Murnau’s Tabu, Douglas Sirk’s The Tarnished Angels and a host of lesser seen Billy Wilder films. I associate that Masters […]

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