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Monday, Sep 7, 2026
New REVIEWS!
Holy Days (2026) Your Granny’s Feel-Good Movie of the Year
Vampire’s Kiss (1988) The Patient Zero of Nicolas Cage Performances
Hellcat (2025) Breathes Fresh Life into One-Location Horror
Jiří Trnka – Puppet Master: The Czech Year (1947), Old Czech Legends (1953), The Hand (1965)
Stolen Kingdom (2026) – A whole new world behind the curtain
Dead Man’s Shoes (2004) A Taut and Terrifying Tale of Abuse and Revenge
Two Boxes: Televised Terror in Franco’s Spain (1972 & 1974) Unabashed horror that puts most feature lengths to shame
Cruel Hands (2026) A Grim and Tense Domestic Horror of Flight and Fire
Into the Forest: Folktales at DEFA (1955-77) The Film That Made Paul Whitehouse Pee His Pants (as a child)
Desperate Living (1977) The darkest, cruellest, and most shocking entry in Waters’ Trash Trilogy
The Odyssey (2026) Grounded & Terrifying, Nolan’s Boldest Adaptation to Date
Alice Doesn’t Live Here Anymore 4K (1974) – an underrated work from a legendary filmmaker

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Reviews

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A Million Days (2023)Hard Sci-Fi or Hardly Sci-Fi?(Review)

Rob Simpson 24/03/2024
A Million Days (2023)Hard Sci-Fi or Hardly Sci-Fi?(Review)

Artificial Intelligence is a concept as old as science fiction itself, and for much of that history it wasn’t the practical (if weird and problematic) tool that we know today. It was instead manifested as something that threatened humanity, and you need look no further than some classic examples like […]

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Late Night with the Devil (2023) Old Standard Freshened In Engaging and Thrilling Ways (Review)

Alex Paine 22/03/2024
Late Night with the Devil (2023) Old Standard Freshened In Engaging and Thrilling Ways (Review)

It’s no secret that found-footage is an often-derided format for horror films, and aside from some very good exceptions (Blair Witch, Cloverfield, Chronicle, etc), the whole gimmick of a family member or friend recording every strange occurrence until they drop the camera out of terror is extremely played-out. Inevitably, eyes […]

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Damsel (2024) – Millie Bobby Brown Showcase Only Delivers Some Of The Goods (SPOILER Review)

Alex Paine 19/03/2024
Damsel (2024) – Millie Bobby Brown Showcase Only Delivers Some Of The Goods (SPOILER Review)

There is no denying that Millie Bobby Brown is one of the biggest stars of my entire generation. Hell, I’m less than a year younger than her and I’ve been seeing her face stamped on everything ever since the first series of Stranger Things blew up back in 2016. Stranger […]

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Green Room (2015) N*zi Punks F*ck Off in 4K (Review)

Jimmy Dean 19/03/2024
Green Room (2015) N*zi Punks F*ck Off in 4K (Review)

One of the reasons I enjoy writing is because I want to share my love of films with other people. I’ve always taken pride in introducing friends, family, and now strangers, to movies that have changed my life. The reverse is also incredibly special, when someone shares one of their […]

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Bodyguard Kiba 1&2 (1973) Never a bad thing when it comes to Sonny Chiba (Review)

Ben Jones 18/03/2024
Bodyguard Kiba 1&2 (1973) Never a bad thing when it comes to Sonny Chiba (Review)

Adapted from the action manga by Ikki Kajiwara, the Bodyguard Kiba movies were another series in a long line which were starring vehicles for arguably the most charismatic actor on Japan at the time, one Shinichi “Sonny” Chiba. Having made a steady stream of movies since 1959 for TOEI, working […]

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Doctor Jekyll (2023): Entertaining Reinterpretation of Classic Story (Review)

Mike Leitch 17/03/2024
Doctor Jekyll (2023): Entertaining Reinterpretation of Classic Story (Review)

The world premiere of Doctor Jekyll at Frightfest 2023 (which I was able to attend) began with director Joe Stephenson announcing he was about to go into a meeting to find out whether Hammer would still be producers on the movie. By the end of the screening, it was confirmed […]

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Room at the Top (1959): The Birth of British New Wave Cinema (Review)

Mark Cunliffe 15/03/2024
Room at the Top (1959): The Birth of British New Wave Cinema (Review)

Released to Blu-ray this week by Studio Canal’s Vintage Classics label is the feature that effectively gave birth to the British film industry’s New Wave period of the 1960s, Jack Clayton’s 1959 movie Room at the Top, starring Laurence Harvey and Simone Signoret. The opening shot of Harvey’s threadbare socks […]

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The Roaring Twenties (1939) How Systemic Failure Created a Gangster (Review)

Jimmy Dean 14/03/2024 1
The Roaring Twenties (1939) How Systemic Failure Created a Gangster (Review)

Criterion’s stunning UHD Blu-Ray release of The Roaring Twenties allows audiences to rediscover a film that marked the end of the golden age of gangster films. Made in 1939, long after the success of Little Caesar (1931), Public Enemy (1931), and Scarface (1932), Raoul Walsh’s film is a fascinating, nostalgic […]

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Dogman (2023) Character actor gets plenty to chew on in strange shaggy dog story (Review)

Simon Ramshaw 13/03/2024
Dogman (2023) Character actor gets plenty to chew on in strange shaggy dog story (Review)

There are many enticing puns a film like Dogman can provoke. The waft of a “dog’s dinner” is a tempting angle to take if the film is a complete mess, and if it’s just plain poor, a reviewer could do a This is Spinal Tap-style Shark Sandwich/”Shit Sandwich” quip and […]

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One Percenter (2023): Japanese Fall Guy delivers eighty-five minutes of mayhem (Review)

Graham Williamson 12/03/2024
One Percenter (2023): Japanese Fall Guy delivers eighty-five minutes of mayhem (Review)

For some people, films about film-making are insufferable exercises in navel-gazing, nothing more than a way for self-absorbed artistes to force us to experience their creative angst. Yet there is a long history of this kind of meta-film within that least pretentious of genres, action. There’s a pretty simple reason […]

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