Tales of redemption can come in many forms. The Bible is full of them, from Noah to Moses, depicting flawed individuals picking themselves up and striding into the divine light of the Lord. Hollywood redemption stories are a different kettle of fish. Since 2017, the culture has changed, and victims […]
Reviews
Tropic (2022) Sci-Fi as a deeply personal take on Male Pride (Review)
Dune Part Two (2024) Powerful Blockbuster Storytelling that leaves you wanting more (Review)
Yakuza Wolf I & II (1972) A Snapshot of a World long gone, Oozing Cool (Review)
Deliver Us (2024): Antichrist horror sacrifices ambiguity for shock (Review)
By A Man’s Face You Shall Know Him (1966) Harmony, Yakuza and the Rediscovery of Tai Kato (Review)
I’ve previously written at length about the joy of discovering new films and filmmakers through Radiance Films — one of which was I, The Executioner (1968), a brutal neo noir which introduced me to Akira Kurasawa’s former apprentice Tai Kato. Radiance are clearly passionate about restoring and celebrating his work, […]
Black Tight Killers (1966) a chic and funky throwback to simpler, stylish times (Review)
The Village Detective: A Song Cycle (2021) The Ocean Gives Up Its Mysteries (Review)
In 2016, a crew of Icelandic fishermen operating in the North Atlantic Ocean, dredged up something surprising from the seabed – four decaying reels of film, semi-preserved by the ocean’s natural resources of hydrogen sulphide, that set innovative documentarian Bill Morrison, of Dawson City: Frozen Time fame, on a fascinating […]
Allonsanfàn (1974) Mastroianni Dons The Mask of Anarchy (Review)
Once again, Radiance have uncovered another gem from 1970s Italian Cinema. They’ve dusted it down, smartened it up and packed it with extras and released it to Blu-ray this week. But this one isn’t a poliziotteschi or a giallo, this is Allonsanfàn, a classy period drama writer/director siblings Paulo and […]