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Saturday, Sep 5, 2026
New REVIEWS!
Holy Days (2026) Your Granny’s Feel-Good Movie of the Year
Vampire’s Kiss (1988) The Patient Zero of Nicolas Cage Performances
Hellcat (2025) Breathes Fresh Life into One-Location Horror
Jiří Trnka – Puppet Master: The Czech Year (1947), Old Czech Legends (1953), The Hand (1965)
Stolen Kingdom (2026) – A whole new world behind the curtain
Dead Man’s Shoes (2004) A Taut and Terrifying Tale of Abuse and Revenge
Two Boxes: Televised Terror in Franco’s Spain (1972 & 1974) Unabashed horror that puts most feature lengths to shame
Cruel Hands (2026) A Grim and Tense Domestic Horror of Flight and Fire
Into the Forest: Folktales at DEFA (1955-77) The Film That Made Paul Whitehouse Pee His Pants (as a child)
Desperate Living (1977) The darkest, cruellest, and most shocking entry in Waters’ Trash Trilogy
The Odyssey (2026) Grounded & Terrifying, Nolan’s Boldest Adaptation to Date
Alice Doesn’t Live Here Anymore 4K (1974) – an underrated work from a legendary filmmaker

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Reviews

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The Ugly Stepsister (2025) A Beautifully Deranged Fairy Tale

Vincent Gaine 24/02/2026
The Ugly Stepsister (2025) A Beautifully Deranged Fairy Tale

Beauty is in the eye of the beholder, but it’s generally determined by the standards of society, and when that society is patriarchal, women suffer. It’s a fairly trite observation that’s the subject of a fascinating exploration in The Ugly Stepsister – a version of Cinderella that’s dark and malevolent […]

  • Movies & Documentaries
  • Reviews

Libido (1965) Argento may be The Artist, but Gastaldi is The Man

Ethan Lyon 24/02/2026
Libido (1965) Argento may be The Artist, but Gastaldi is The Man

Giallo is known by its directors – Fulci, Bava, Argento, maybe Sergio Martino if you do some digging, but someone just as important is screenwriter Ernesto Gastaldi. Active for nearly thirty years in Italian cinema, he penned the scripts for some of the most iconic gialli, his many credits including […]

  • Movies & Documentaries
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Redux Redux (2025) Reclaiming the Multiverse, One Brutal Reality at a Time

Rob Simpson 23/02/2026
Redux Redux (2025) Reclaiming the Multiverse, One Brutal Reality at a Time

After its UK screening at FrightFest 2025, I’ve long wanted to revisit Redux Redux, the follow-up to Kevin and Matthew McManus’s lo-fi horror The Block Island Sound. That movie felt like something a few friends could knock together in their local community — a modern regional horror piece pitched far […]

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Jimmy & Stiggs (2024) The Messy, Mean, DIY Splatterfest Begos Was Born to Make

Rob Simpson 16/02/2026
Jimmy & Stiggs (2024) The Messy, Mean, DIY Splatterfest Begos Was Born to Make

In returning to his roots with Jimmy & Stiggs, Joe Begos becomes a conflicting and truly beguiling filmmaker. As a fan of independent music and the punk ethos, a filmmaker who champions those ideals should be right up my street — and for his breakout Bliss (2019), he was. However, […]

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Charisma (1999) / Cloud (2024): A Showcase for One of the Greatest Living Filmmakers

Mike Leitch 02/02/2026
Charisma (1999) / Cloud (2024): A Showcase for One of the Greatest Living Filmmakers

A new physical release of a Kiyoshi Kurosawa film is always something to celebrate, however what is notable about Eureka’s choices for the latest release in their Masters of Cinema series is that they highlight Kurosawa’s skills outside the horror genre. With films like Cure and Pulse arguably being his […]

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Illustrious Corpses (1976): The Paranoid Style in Italian Thrillers

Graham Williamson 02/02/2026
Illustrious Corpses (1976): The Paranoid Style in Italian Thrillers

The American historian Richard Hofstadter wrote The Paranoid Style in American Politics, but if you want some truly paranoid style – one which gives equal weight to the paranoia and the stylishness – you have to go to Italy. Late twentieth century Italy, in particular, saw a strange collision of […]

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Potwash (2026, Short) An Intriguing and Enveloping Tale of Work, Music, and Escapism

Vincent Gaine 29/01/2026
Potwash (2026, Short) An Intriguing and Enveloping Tale of Work, Music, and Escapism

Potwash, the latest film by East Anglian based filmmaker Josh Trett, is a portrait of initially familiar tropes, that receive an intriguing treatment. The titular Potwash, Isaac (Kyle Malan), is a shy pub kitchen worker. His employment and work colleagues occupy most of his time, and the film embraces this […]

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Blood of Revenge (1965) A Yakuza Tale Characterised by Beautiful Compositions 

Jimmy Dean 26/01/2026
Blood of Revenge (1965) A Yakuza Tale Characterised by Beautiful Compositions 

It’s a privilege to be sitting down today to write about Blood of Revenge, Radiance Films sixth release from overlooked genre master Tai Kato. 2025 was a year of disruption for me, a seemingly never-ending time of upheaval that left no energy to write about films. Luckily for me, as […]

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Tim Travers and the Time Travelers Paradox (2024)  The Grandfather Paradox Gets a Splatter-Comedy Makeover

David O Hare 26/01/2026
Tim Travers and the Time Travelers Paradox (2024)  The Grandfather Paradox Gets a Splatter-Comedy Makeover

‘Wibbly wobbley, timey whimy’, as a famous Doctor once said, quite accurately sums up the vastly complicated intricacies of time travel. While many of us would enjoy the supposed benefits of jumping through history, seeing the dinosaurs, meeting our favourite historical figure, tasting that sweet, sweet Dodo meat – the […]

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The Strange Dark (2024) A Cosy Thriller Where The Twilight Zone Invades a Hallmark Movie

Rob Simpson 25/01/2026
The Strange Dark (2024) A Cosy Thriller Where The Twilight Zone Invades a Hallmark Movie

Whether in the age of Star Wars, The Avengers or something smaller, Sci-fi has always been overshadowed by spectacle, which is an odd state of play for a genre fundamentally concerned with ideas. Even if the likes of Star Trek reign supreme on small screens, yet even as spectacle dominates, […]

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