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Sunday, Jul 26, 2026
New REVIEWS!
Alice Doesn’t Live Here Anymore 4K (1974) – an underrated work from a legendary filmmaker
The Caretaker (2025) Bittersweet, Awkward, and Quietly Unsettling
The Boxer (1977) Rocky by quality, not by name
The Mortuary Assistant (2026) A Horror Game’s Logic Trapped in a Linear Film
Cold Prey (2006-2010) A Rare Nordic slasher Trilogy gets its due
Nirvanna the Band the Show the Movie (2025)(II) – Long-gestating gutbuster from Canada’s finest pranksters
Love is the Monster (2026) A Handsome, Horny, Hopelessly Chaotic Horror
Madhouse (1974) The Price is Right
Kraken (2026) A tale of tension, patience, and a creature waiting in the wings
Signal One (2026) A small‑scale sci‑fi that refuses to stay small
Empire of the Ants (1977) The Surprising Liminality of a B.I.G Killer Ant Movie
Familiar Touch (2024): dementia drama without the melodrama

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Intimate Lighting (1965) Czech New Wave as a light, comedic, endless rewatchable delight (Review)

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Classic Film Kid – Down by Law (1986)

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Reviews

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Dead Man (1995) A wholly unique surrealist Western (Review)

Autumn Parker 13/06/2022
Dead Man (1995) A wholly unique surrealist Western (Review)

For an extended period of time, the Western was the United States’ most beloved genre of film. Despite its popularity briefly dying as film transitioned between silent films and talkies, it was kicked back into the spotlight with John Ford’s Stagecoach; from that point onwards many directors such as Ford, […]

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The Righteous (2021) Neo-Gothic Religious Chamber Horror Inside (Review)

Rob Simpson 07/06/2022
The Righteous (2021) Neo-Gothic Religious Chamber Horror Inside (Review)

It’s always a curious proposition when a known actor steps behind the camera: what is it about “this project”, in particular, that made them want to make the leap? Some see it as the next step in the evolution of their career, while others have passion projects up their sleeve, […]

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Demonia (1990) One for the true Lucio Fulci completionist (Review)

David O Hare 06/06/2022
Demonia (1990) One for the true Lucio Fulci completionist (Review)

Giallo and Italian Horror legend Lucio Fulci marked a return to cinema in this early 90’s nunsploitation flick – but is its reputation as Fulci’s weakest film deserved or has the last 30 years been kind to the Italian maestro’s forgotten work? We open in fifteenth-century Italy, as a group […]

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Enter the Void (2009): a city symphony in 21st-century neon (Review)

Graham Williamson 31/05/2022
Enter the Void (2009): a city symphony in 21st-century neon (Review)

Gaspar Noé’s new film Vortex, currently on release in UK cinemas, is shocking audiences in perhaps the only way Noé can shock people at this juncture: by removing his usual graphic violence and unsimulated sex in favour of a sensitive exploration of dementia and death. There is another film called […]

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Lux Aeterna (2019): Gaspar Noé’s Stress-Inducing Meditation On Filmmaking

Mike Leitch 30/05/2022
Lux Aeterna (2019): Gaspar Noé’s Stress-Inducing Meditation On Filmmaking

Arrow’s new release of Lux Aternae, Gasper Noé’s 2019 fifty-minute film, on Blu-ray and also on Arrow Player and in June comes as his latest film, Vortex made immediately after Lux Aternae, hits UK cinemas and his films forming the centrepiece of the recent New French Extremity season at BFI […]

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Luminous Procuress (1971): if an alien made a film about human sexuality, it would look like this (Review)

Graham Williamson 27/05/2022
Luminous Procuress (1971): if an alien made a film about human sexuality, it would look like this (Review)

It’s quite an achievement to live your life as a work of art. Steven Arnold, whose film Luminous Procuress has been restored and reissued on Blu-Ray by Second Run, seems to have achieved it. His star and childhood friend, the performance artist Pandora, recalls his bedroom being decorated “like Louis […]

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Wild Things (1998) 90s Hollywood or Hollyoaks Later? (Review)

Mark Cunliffe 23/05/2022
Wild Things (1998) 90s Hollywood or Hollyoaks Later? (Review)

It’s really strange coming to a piece of pop culture from your youth for the first time almost twenty-five years after its moment in the spotlight, but that’s exactly what I have done with Wild Things, released to Blu-ray by Arrow this week. I’m not entirely sure why this torrid, […]

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Revolver (1973) Hard-edged, Pessimistic, Buddy Cop Crime Thriller (Review)

Mark Cunliffe 16/05/2022
Revolver (1973) Hard-edged, Pessimistic, Buddy Cop Crime Thriller (Review)

Current wisdom in the literary world of the thriller genre is that you must immediately hook your reader in with some violence right from the first page. After that, you can focus on character, setting etc, but the bloody stuff has to be placed right up front. Released to Blu-ray […]

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Rhino (2022) A sombre if well-travelled Ukrainian crime drama (Review)

Autumn Parker 16/05/2022
Rhino (2022) A sombre if well-travelled Ukrainian crime drama (Review)

Ukrainian director Oleg Sentsov intended to make his second feature film, following his 2011 debut Gamer, in 2014. However, due to the Maidan uprising protests that swept across Ukraine the filming was put on hold. This was further impacted by Russia’s annexation of Crimea (Sentsov’s birthplace) which actually resulted in […]

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Dobermann (1997) 25th Anniversary Re-Release (Review)

Rob Simpson 13/05/2022
Dobermann (1997) 25th Anniversary Re-Release (Review)

The 90s was a wild decade. Outside of the mainstream, pop culture was going through an era where more meant more, an MO at its most frenzied with 1997’s Dobermann, directed by Jan Kounen and written by Joël Houssin. Both at the time and now, many equated this to the […]

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