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Sunday, Jul 26, 2026
New REVIEWS!
Alice Doesn’t Live Here Anymore 4K (1974) – an underrated work from a legendary filmmaker
The Caretaker (2025) Bittersweet, Awkward, and Quietly Unsettling
The Boxer (1977) Rocky by quality, not by name
The Mortuary Assistant (2026) A Horror Game’s Logic Trapped in a Linear Film
Cold Prey (2006-2010) A Rare Nordic slasher Trilogy gets its due
Nirvanna the Band the Show the Movie (2025)(II) – Long-gestating gutbuster from Canada’s finest pranksters
Love is the Monster (2026) A Handsome, Horny, Hopelessly Chaotic Horror
Madhouse (1974) The Price is Right
Kraken (2026) A tale of tension, patience, and a creature waiting in the wings
Signal One (2026) A small‑scale sci‑fi that refuses to stay small
Empire of the Ants (1977) The Surprising Liminality of a B.I.G Killer Ant Movie
Familiar Touch (2024): dementia drama without the melodrama

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Reviews

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Vampyr (1932) Pivotal Player in Vampire Horror History (Review)

Ygraine Hackett-Cantabrana 10/05/2022
Vampyr (1932) Pivotal Player in Vampire Horror History (Review)

Vampyr has been retrospectively hailed as a pinnacle moment in horror cinema history and with Eureka Entertainment’s new 2K release celebrating the film’s 90th anniversary,  it is easy to see why. Vampyr, released in the same year as Universal’s Dracula, was Danish director Carl Theodor Dreyer’s first sound film. After […]

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Girls Nite Out (1982) Less Psycho Killer, More Psycho Filler (Review)

David O Hare 09/05/2022
Girls Nite Out (1982) Less Psycho Killer, More Psycho Filler (Review)

The late ’70s brought us a slew of teen slashers along with some of horror’s most iconic knife-wielding psychos – but by the time we get to this 1982 offering, it’s “less psycho killer, more psycho filler”. ‘Girls Nite Out’ (it hurts to spell ‘night’ like that) has now been […]

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Wild Men (2021) Absurd Danish Comedy Drama with one plot too many (Cinema Review)

Rob Simpson 05/05/2022
Wild Men (2021) Absurd Danish Comedy Drama with one plot too many (Cinema Review)

In cinemas tomorrow through Blue Finch Films is 2021’s Wild Men, the sophomore film from Thomas Daneskov – following his 2015 debut, the Elite. Rasmus Bjerg is Martin, and he’s had enough of modern life, so he decides to vanish from his native Denmark and live off the land as […]

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Twisting the Knife: Nightcap (2000) & The Flower of Evil (2003)(Review)

Rob Simpson 02/05/2022
Twisting the Knife: Nightcap (2000) & The Flower of Evil (2003)(Review)

We are back on the Chabrol wagon for the 4th time (1, 2, & 3) in a few short months, following Arrow Video’s release of two boxsets, Lies & Deceit, and the recent Twisting the Knife. On Nightcap’s disc, there’s a visual essay by film critic, Scout Tafoya, called “When […]

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Twisting the Knife: The Swindle (1997) and The Colour of Lies (1999)(Review)

Graham Williamson 28/04/2022 1
Twisting the Knife: The Swindle (1997) and The Colour of Lies (1999)(Review)

Following on from February’s Lies and Deceit, Arrow have returned to the films of Claude Chabrol for their new box set Twisting the Knife. Twisting the Knife has a slightly different remit to Lies and Deceit; the former box set selected various films Chabrol directed between 1985 and 1994 but […]

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Knockabout (1979) Lame Comedy pathing the way to Action Greatness (Review)

Rob Simpson 19/04/2022
Knockabout (1979) Lame Comedy pathing the way to Action Greatness (Review)

The first time I tried to watch Sammo Hung’s 1979 film, Knockabout, it was through a ratty, almost unwatchable print I loaned from Lovefilm. Remember them? I bring that up as it’s an almost poetic change of fate for martial arts cinema fans, post-Hong Kong Legends. To think that after […]

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The Big Racket (1976) & Heroin Busters (1977): two films by Enzo G Castellari (Review)

Graham Williamson 19/04/2022
The Big Racket (1976) & Heroin Busters (1977): two films by Enzo G Castellari (Review)

Enzo G Castellari is now best-known not for a film he directed but for a film he inspired: Quentin Tarantino’s Inglourious Basterds, which lifts its title from his 1978 war film The Inglorious Bastards. A more direct impact he had on movie history would be Keoma, the 1976 film he […]

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Dreadnaught (1981) Dragon Dance Majesty from Yuen Woo-Ping (Review)

Rob Simpson 14/04/2022
Dreadnaught (1981) Dragon Dance Majesty from Yuen Woo-Ping (Review)

Even for the most ardent fans, martial arts cinema can get very samey. It’s not a criticism far from it; the same realisation happens with fans of other formally strict genres – like the western, slasher or fantasy movies. All-time classics are the DNA from which repetition and formulaic plotting […]

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Onoda: 10,000 Nights in the Jungle (2021) (Cinema Review)

Rob Simpson 13/04/2022
Onoda: 10,000 Nights in the Jungle (2021) (Cinema Review)

When is a World War II epic not a World War II epic? When it’s Onoda: 10,000 Nights in Jungle, a story that is all the more unbelievable when you consider it is 100% true. Or as close as possible, with creative embellishments to make it palatable as a big-screen […]

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Mary Shelley’s Frankenstein (4K)(1994) De Niro & the Ego Monster (Blu-ray Review)

Rob Simpson 12/04/2022
Mary Shelley’s Frankenstein (4K)(1994) De Niro & the Ego Monster (Blu-ray Review)

Who is Kenneth Brannagh? To look at him now, he is a multi-award-winning director adding his take to the canon of successful awards bait turned moustache receptacle. Earlier in 2022, he had two movies playing in cinemas – simultaneously. Go back a bit further, and he was involved in the […]

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