Newly restored from its original negative and presented in its original uncut form, Mario Bava’s classic 1964 giallo Blood and Black Lace has recently been released by the good people at Arrow Films. Starring Cameron Mitchell and Eva Bartok, this stylish slasher concerns a series of murders centring around Rome’s […]
Horror
The Guard from Underground (1992): Kiyoshi’s Kurosawa’s Brutal Nineties Slasher (Review)
Director Kiyoshi Kurosawa has explored a variety of genres in a career spanning over forty years, and this release of his fourth feature, The Guard from Underground, demonstrates that his confidence in genre-hopping came early on. The film begins as a work-based drama, but gradually shifts into slasher horror as […]
The Wicker Man (1973): Folk horror’s towering icon catches ablaze in new 4K restoration (Review)
It towers over the horizon, casting shadow over everything below. It inspires dread, reverence and devotion, cutting an impressive figure of iconic proportions. It catches alight quickly and blazes with a terrible truth, and it becomes impossible to look away from its purifying, eye-opening vision. And we’re not just talking […]
The Psycho Collection (1983-1990) Rehabilitating the Most Unlikely of Horror Franchises (Review)
The Angry Black Girl And Her Monster (2023) A Real Frankenstein for the 21st Century (Review)
Fans of Mary Shelley’s novel Frankenstein; or the Modern Prometheus have been clambering for a cinematic adaptation that isn’t another Victorian era verbatim remake. Bringing the OG gothic science-fiction horror firmly into the 21st century, interwoven with modern anxieties over race relations is The Angry Black Girl And Her Monster. […]
Final Summer (2023): A Summer Camp Slasher Without A Deep Cut (Review)
Ringu (1998) Bone-Chilling Horror Backed Up With Intricate, Genius Stoytelling (Review)
My only previous experience with reviewing Japanese live-action cinema is two films released by Arrow Video in 2021: The Invisible Man Appears and The Human Fly. I remember my main issue with them was their attempt to capitalise on a lot of American successes with sci-fi and horror, without stamping […]
Elevator Game (2023) American J-Horror minus the aesthetics and Deep Sadness (Review)
Haunted by the disappearance of his sister due to an urban legend, Ryan infiltrates a group of vloggers who specialise in completing online challenges in haunted spaces, hoping to persuade them to play the Elevator Game. The latest film from director Rebekah McKendry (Glorious), who is also the host of […]
Good Boy (2023): A Horror Romcom with a Nasty Bite (Review)
Following its UK premiere at Frightfest in August this year, Blue Finch Film have released the much-anticipated Good Boy on digital, and although director Viljar Bøe’s third feature dabbles in the horror genre, as with films like Audition and Fresh, it initially plays out as a typical romantic comedy until […]