While he doesn’t have the same cut-through of his halycon days with Tetsuo, Bullet Ballet or A Snake of June, Shinya Tsukamoto is undoubtedly one of the more consistent filmmakers in Japan. This is partly due to that movie industry not being as buoyant as it once was, but also because he’s a director […]
WWII
A Forgotten Man (2022) The Seperation of Established History from Story (Review)
First things first. A Forgotten Man, despite its stage inspirations (Thomas Hürlimann’s Der Gesandte [The Envoy]), is a film made by a cinephile. The clue is the use of black-and-white, in most films now shot in monochrome, the art is often that of a below-average collagist. The awkward and unintended incongruity of […]
The Uninvited (1944) a Chiller… but not like we know it (Review)
The Uninvited is a curious supernatural “thriller”, set on the southwest coast of England. The film is Lewis Allen’s adaptation of a Dorothy Mcardle story (Uneasy Freehold), in which composer Rick Fitzgerald (Ray Milland), and his sister Pamela (Ruth Hussey), fall in love with an old, mouldering property whilst holidaying […]
Pulp (1972) The Michael Caine Noir that counts Jarvis Cocker and JG Ballard among its fans (Review)
London Film Festival 2017, Part 4: Hanging Up
Maybe I wasn’t adventurous enough. But the way the LFF advertises its slate of films, it’s too tempting not to be. See, there’s an ‘official competition’, but unlike major film festivals like Cannes or Venice, the most hotly anticipated offerings aren’t in it, for the most part— London likes its […]