Giving himself a home-made haircut that turns into a “full-on mullet”, Clay – the hero of The Civil Dead, released in UK cinemas this week – can see the hopeful side. His photography business has been struggling: having terrible hair might be the gimmick he needs. The Civil Dead itself […]
bulldog films
Give Me Pity! (2022) – Fear and loathing rolled in glitter (Review)
Mind-Set (2023) A Bittersweet Observation of Modern Love (Review)
Released on demand and in select cinemas tomorrow, Mind-Set is the feature-length directorial debut of Scottish filmmaker, academic and festival programmer Mikey Murray, who also wrote the screenplay. The film is a story for our time, concerning a couple played by American actor Eilis Cahill (Mad), and Steve Oram (Sightseers), […]
The Whisper of Silence (2020) Fascinatingly Meditative Yet Risks Aimlessness at Times (Review)
January (2021) A Master Class in imagery, and the conflict between modernity and tradition (Review)
“There’s barely anyone left to die, so I do remember.” Andrey Paounov’s January encompasses the human soul reckoning with itself and the outside world in the midst of a snowstorm and unseen monsters no one will escape from. Andrey Paounov’s January encompasses the human soul reckoning with itself and the […]
Europa (2022): gripping outsider’s view of Fortress Europe (Review)
A tough, stripped-back refugee story, it’s tempting to say that Europa (released in cinemas and on-demand by Bulldog Distribution) is a timely release. Except that would imply it wouldn’t have been timely if it was released, say, three months ago. The Ukrainian crisis is the one that’s currently in the […]
A Bread Factory Parts One and Two (2018) Epic art-world comedy (Review)
The Wanting Mare (2020) Existential, Experimental Sci-Fi with looks to kill for (VOD Review)
The Green Knight was a divisive movie, a personal favourite from last year, for sure, but its often evasive and hallucinatory storytelling alienated much of its potential audience. One key aspect that cut through this tension was the visual effects work. One of the key names behind these visual effects […]
Possum (2018) a bleakness from beyond the dark place (Review)
Part [The] Babadook and part David Lynch fuelled nightmare, Matthew Holness’s directorial debut, Possum, is as bleak and oppressive as psychological horror gets. Unfortunately, I get the impression that Holness would’ve been better suited turning Possum into a portmanteau film rather than a feature of its own. And that’s fine, […]