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Sunday, Jun 7, 2026
New REVIEWS!
Hi Mom! (1970) De Palma’s Wildest Early Provocation
Slither (2006) – Silly Schlocky Blast of Smalltown Sci-Fi Fun
Hacked: A Double Entendre of Rage-Fueled Karma (2025) A chaotic act of cinematic payback
The Criminal Life of Archibaldo de la Cruz (1955): audacious thought crimes in Buñuel’s serial killer satire
Diabolic (2026) Conventionally plotted Religious Horror that drips with Dread and Atmosphere
The Professional (1981) Belmondo Goes Rogue for Revenge
Taxidermia (2006) A Disgusting, Controversial and Deceptively Beautiful Underground Classic
Exit 8 (2025) Liminal Horror More Emotionally Potent than Horrific
Extreme Private Eros: Love Song 1974 (1974): emotional violence transcending the limits of documentary form
Salem’s Lot (1979): A Masterclass in Slow-Burn Horror
New Directors from Japan: Takashi Ono (2016-2023)
Knights of the Teutonic Order (1960): most super of the Polish “super productions”

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Ian Mungwadzi

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Why Hans Zimmer should be considered the Modern Mozart

Ian Mungwadzi 02/03/2023
Why Hans Zimmer should be considered the Modern Mozart

Let me begin by saying I am definitely biased, and I have absolutely zero shame about it. 11 of my favourite films and my top 2 of all time are scored by him and I will sing his praises until my ears stop. Hans Zimmer is undeniably one of the […]

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