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Extreme Private Eros: Love Song 1974 (1974): emotional violence transcending the limits of documentary form
Salem’s Lot (1979): A Masterclass in Slow-Burn Horror
New Directors from Japan: Takashi Ono (2016-2023)
Knights of the Teutonic Order (1960): most super of the Polish “super productions”
Underworld Chronicles (1996-2002) Three Films, One Filmmaker, Zero Rules – Takashi Miike
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Long Live the Republic! (1965): World War II through the eyes of a Czech Fellini
Redoubt (2026) Turning Video Art Into A Visually Compelling Feature
Haunters of the Silence (2025) A lo‑fi plunge into the uncanny space between dreaming and waking
Excalibur (1981) Boorman’s bold, mystical retelling of Arthurian legend
The Devil’s Hand (1943): A dark wartime parable
Dead Lover (2026): An Unhinged and Colourful Take on Frankenstein

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Ian Mungwadzi

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Why Hans Zimmer should be considered the Modern Mozart

Ian Mungwadzi 02/03/2023
Why Hans Zimmer should be considered the Modern Mozart

Let me begin by saying I am definitely biased, and I have absolutely zero shame about it. 11 of my favourite films and my top 2 of all time are scored by him and I will sing his praises until my ears stop. Hans Zimmer is undeniably one of the […]

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