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Sunday, Jun 8, 2025
New REVIEWS!
Falling Into Place (2023) From Meet-Cute to Ugly Realities
Dangerous Animals (2025) The Must-See Bloody Horror Film of the Summer
Darling (1965) The New Morality of the 1960s
Ishanou (1990) Indian regional cinema probes the mystery of faith
The Umbrellas of Cherbourg (1964): Colourful But Lifeless Musical Drama
Andor Season 2 (2025) Round-up: Star Wars’ hard-to-swallow epic is just what fans needed
The Railroad Man (1956) A Year in the Life of a Working Class Family
Themroc (1973) The Urban Caveman and the Red Triangle
Strange New Worlds: Science Fiction at DEFA (1960 to 1976) Socialism Among the Stars
Sinners (2025) A Must See Theatre Experience
Oil Lamps (1971) Juraj Herz’s dazzling and decadent psycho-sexual period piece
Doctor Who (2025) Lucky Day: An Average Start That Reveals A Sublime and Timely Message (SPOILERS)
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Mark Cunliffe

Senior Contributor Mark's first cinematic experience was watching the Cannon and Ball vehicle, The Boys in Blue. He hasn't looked back since. Hailing from Lancashire, he is an occasional contributor to Arrow DVD, writing booklet inlay essays on a variety of titles, including Children of Men and The Great Escape. He has also written a chapter for Ste Brotherstone and Dave Lawrence's book, Scarred For Life Vol II. He is often found on Letterboxd, has appeared on the Talking Pictures podcast and also writes for We Are Cult, Horrified, America's left-leaning news outlet ZNetwork, and the fanzine Undefined Boundary: The Journal of Psychick Albion. He is also a regular contributor to the Geek Show's podcasts, including Pop Screen and the Uncut series.
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Bad Day For The Cut (2017) Coen-like thriller tropes, sturdy social realism, and unique Irish flavour (Review)

Mark Cunliffe 25/01/2018
Bad Day For The Cut (2017) Coen-like thriller tropes, sturdy social realism, and unique Irish flavour (Review)

When the mother he both lived with and doted on is violently bludgeoned to death in an apparent home invasion,  middle-aged and seemingly mild-mannered farmer Donal (Nigel O’Neill) takes his shotgun and newly restored campervan and sets out from their remote farmstead looking for answers and revenge. What he comes […]

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Pulp (1972) The Michael Caine Noir that counts Jarvis Cocker and JG Ballard among its fans (Review)

Mark Cunliffe 13/12/2017
Pulp (1972) The Michael Caine Noir that counts Jarvis Cocker and JG Ballard among its fans (Review)

It is a film about the abuse of a young girl by people in positions of power and the cover-up this corruptible high society instigate to ensure they are never held to account for the crime they have committed.  It is a film that concludes with the answers being found […]

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A Clockwork Orange (1971) One of the 1970s most controversial masterpieces (Review)

Mark Cunliffe 13/11/2017
A Clockwork Orange (1971) One of the 1970s most controversial masterpieces (Review)

I guess A Clockwork Orange is something akin to a movie buff’s ‘Where were you when Kennedy was shot?’ moment. Every self-respecting film devotee from the UK is likely to recall the first time they watched Stanley Kubrick’s controversial masterpiece and, if you’re of a certain age, chances are you […]

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The Wall (2017) a War movie with an element of Carpenteresque B movie about it (Review)

Mark Cunliffe 04/11/2017
The Wall (2017) a War movie with an element of Carpenteresque B movie about it (Review)

Thankfully not a film about Trump’s intentions regarding the US/Mexico border, The Wall is, in fact, a tense, psychological war movie from director Doug Liman. The Wall is essentially a three-hander (though in truth the vast chunk of its running time sees it operate more or less as a two-hander) […]

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The Yakuza (1974) A seminal product of Hollywood’s disillusioned 1970s output (Review)

Mark Cunliffe 16/10/2017
The Yakuza (1974) A seminal product of Hollywood’s disillusioned 1970s output (Review)

Sydney Pollack’s 1974 neo-noir The Yakuza is one of those films that leaves you wondering what the hell was wrong with the cinema-going public and film critics of the day. Performing poorly at the box office and receiving (at best) mixed reviews, this east-meets-west thriller failed to cash in on […]

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Dunkirk (1958) A poignant and near peerless World War II Movie (Review)

Mark Cunliffe 18/09/2017
Dunkirk (1958) A poignant and near peerless World War II Movie (Review)

As a child obsessed with war, I well remember watching Dunkirk, Leslie (father of Barry) Norman’s 1958 film that depicted the events of May-June 1940, when the besieged soldiers of the British Expeditionary Force were stranded on the coast of France, and the combined efforts of the Royal Navy and […]

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The Seasons in Quincy: Four Portraits of John Berger (2016) Intentionally Incohesive Portrait of a Simple Man seeking Nourishment (Review)

Mark Cunliffe 01/09/2017
The Seasons in Quincy: Four Portraits of John Berger (2016) Intentionally Incohesive Portrait of a Simple Man seeking Nourishment (Review)

When it comes to John Berger, I seem to have inadvertently become The Geek Show’s go to guy. I previously reviewed Taskafa, Stories of the Street, a 2013 documentary film from Andrea Luka Zimmerman which used Berger as a narrator, reading excerpts from his own novel King. But I have to […]

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My Beautiful Laundrette (1985) One of the most important and influential British films of the 1980s (Review)

Mark Cunliffe 22/08/2017
My Beautiful Laundrette (1985) One of the most important and influential British films of the 1980s (Review)

I’ve long since said that if you want to know what life in 1980s Britain was like, what it felt like, looked like and sounded like, then there is really only two films to check out: one of them is Alan Clarke’s Rita, Sue and Bob Too and the other […]

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Yesterday, Today and Tomorrow (1963) a brightly colourful, carefree and sexy production (Review)

Mark Cunliffe 21/08/2017
Yesterday, Today and Tomorrow (1963) a brightly colourful, carefree and sexy production (Review)

I have to level with you. I am besotted with Sophia Loren. She has to be one of the ultimate, if not the ultimate, goddesses of the screen.  Frankly, in my eyes she is perfection. And whenever I watch a film with Sophia Loren I always find myself thinking: ‘God, […]

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Aquarius (2016) Sonia Braga towers over this bloated love affair with the home space (Review)

Mark Cunliffe 19/07/2017
Aquarius (2016) Sonia Braga towers over this bloated love affair with the home space (Review)

What I will say about Aquarius, the latest film from Brazilian filmmaker Kleber Mendonça Filho is that it is an absorbing, detailed and considerate character study of its female protagonist – and more, that protagonist happens to be a woman in her mid-sixties. There really isn’t enough major roles or stories […]

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