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Thursday, Apr 23, 2026
New REVIEWS!
Extreme Private Eros: Love Song 1974 (1974): emotional violence transcending the limits of documentary form
Salem’s Lot (1979): A Masterclass in Slow-Burn Horror
New Directors from Japan: Takashi Ono (2016-2023)
Knights of the Teutonic Order (1960): most super of the Polish “super productions”
Underworld Chronicles (1996-2002) Three Films, One Filmmaker, Zero Rules – Takashi Miike
Hard Boiled 4K (1992) Where John Woo pushed action cinema to its extreme
Long Live the Republic! (1965): World War II through the eyes of a Czech Fellini
Redoubt (2026) Turning Video Art Into A Visually Compelling Feature
Haunters of the Silence (2025) A lo‑fi plunge into the uncanny space between dreaming and waking
Excalibur (1981) Boorman’s bold, mystical retelling of Arthurian legend
The Devil’s Hand (1943): A dark wartime parable
Dead Lover (2026): An Unhinged and Colourful Take on Frankenstein

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Sam Taunton

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Trouble Every Day (2001) Laying the foundations for New French Extremity

Sam Taunton 18/08/2025
Trouble Every Day (2001) Laying the foundations for New French Extremity

A pair of lovers are seen making out in the front seat of their car as an accompanying song slowly intensifies, “there’s trouble every day, trouble every day, trouble every day…”. The snogging sesh becomes increasingly passionate, bodies writhing around uncontrollably. Yet things start to creep beyond a so-called love, […]

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