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Sunday, Jun 7, 2026
New REVIEWS!
Hi Mom! (1970) De Palma’s Wildest Early Provocation
Slither (2006) – Silly Schlocky Blast of Smalltown Sci-Fi Fun
Hacked: A Double Entendre of Rage-Fueled Karma (2025) A chaotic act of cinematic payback
The Criminal Life of Archibaldo de la Cruz (1955): audacious thought crimes in Buñuel’s serial killer satire
Diabolic (2026) Conventionally plotted Religious Horror that drips with Dread and Atmosphere
The Professional (1981) Belmondo Goes Rogue for Revenge
Taxidermia (2006) A Disgusting, Controversial and Deceptively Beautiful Underground Classic
Exit 8 (2025) Liminal Horror More Emotionally Potent than Horrific
Extreme Private Eros: Love Song 1974 (1974): emotional violence transcending the limits of documentary form
Salem’s Lot (1979): A Masterclass in Slow-Burn Horror
New Directors from Japan: Takashi Ono (2016-2023)
Knights of the Teutonic Order (1960): most super of the Polish “super productions”

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Sam Taunton

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Trouble Every Day (2001) Laying the foundations for New French Extremity

Sam Taunton 18/08/2025
Trouble Every Day (2001) Laying the foundations for New French Extremity

A pair of lovers are seen making out in the front seat of their car as an accompanying song slowly intensifies, “there’s trouble every day, trouble every day, trouble every day…”. The snogging sesh becomes increasingly passionate, bodies writhing around uncontrollably. Yet things start to creep beyond a so-called love, […]

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