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Saturday, Oct 24, 2026
New REVIEWS!
Ghost in the Cell (2026) A Kind Heart Under the Gore and Slap-Happy Combat
High Road to China (1983) A Boy’s Own Adventure
Survive Style 5 (2004) The Return of a Stone Cold Cult Classic Weirdo
The Shout (1978): cryptic, constantly rewarding folk horror classic
Eastern Trails – The Western at DEFA (1967-75): go east, young man!
Hush (2016) Mike Flanagan’s Early Suspenseful Horror, Reimagined
Trick or Treat (1986) THE Rock N’ Roll High Camp Comedy Horror Classic
Sexy Beast 4K (2000) Sweltering Heat & Subversive Gangsters
Semolina Pilchard (2026) A fearless independent Crime Thriller, Liverpool-Style
The Black Rock (2026) Impressive Micro-Budget WWII Drama
Histoire(s) du cinéma (1988-1998) review 2: the extras (1982-2024)
Treasures from the Golestan Film Studio (1961-1974): the union that birthed Iranian cinema

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1

Certain Women (2016) a grown-up, unironic, realist film about ordinary people going through ordinary challenges (Review)

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Violation (2020): hardcore revenge without the toxicity (Review)

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La Syndicaliste (2022): A Conspiracy Thriller for the #MeToo World (Review)

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…And the Fifth Horseman is Fear (1964) A brutal portrait of fear under an occupying regime (Review)

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The Invisible Swordsman (1970) Breezy and charming family fun featuring a rare unseen hero

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The Tree of the Wooden Clogs (1978) A Classic Example of the Critics Film (Review)

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Lisa Frankenstein (2024): Quirky Throwback Comedy Horror Lacks Spark (Review)

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The Bounty Hunter Trilogy (1969/72) Samurai Western Trilogy by way of James Bond? (Review)

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Repulsion (1965) Jeanne Dielman for the beat ‘60s with a supremely knotty director in tow (Review)

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The Blue Lamp (1950) The movie that birthed the influential Dixon of Dock Green (Review)

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Donbass: Episodes of lunacy in Eastern Ukraine (Review)

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Movies & Documentaries

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Identification of a Woman (1982): Antonioni enters the ’80s, as provocative as ever (Review)

Graham Williamson 20/09/2022
Identification of a Woman (1982): Antonioni enters the ’80s, as provocative as ever (Review)

If there’s anyone out there who still doubts that Michelangelo Antonioni was a genius, consider this: he made the British overcome their prurience. On its 1966 release, his classic Blow-Up was a substantial hit in the UK among audiences who were not primarily interested in watching the latest film from […]

  • Movies & Documentaries
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Monster (2003) Brutal and Beautifully Performed Serial Killer Psychodrama (Blu-Ray Review)

Alex Paine 09/09/2022
Monster (2003) Brutal and Beautifully Performed Serial Killer Psychodrama (Blu-Ray Review)

Hello everyone, it’s Alex here, and this is the first non-Classic Film Kid piece I’ve ever done, so I now have free reign to talk about whatever I want. So of course I begin with innocence and purity by reviewing a film about serial killer Aileen Wuornos in a life […]

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Hellbender (2022): Feel the Chaos of a Teenage Witch (Blu-Ray Review)

Mike Leitch 05/09/2022
Hellbender (2022): Feel the Chaos of a Teenage Witch (Blu-Ray Review)

Hellbender is the sixth feature film from the Adams family (made up of Toby Poser, John Adams and Zelda Adams) and their third in the horror genre. Following its release on Shudder in February, it arrives on DVD and digital through Acorn Media International making it their most readily available […]

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Frightfest 2022: Short Films & Everyone Forgot

Rob Simpson 31/08/2022
Frightfest 2022: Short Films & Everyone Forgot

We conclude our frightfest coverage for 2022 with a look at the short films that featured as part of the events discovery screen. For the full down of all the shorts that were featured, we have a handy article for your reading pleasure HERE. Besides being a nice palette cleanser, […]

  • Pop Culture
  • From the Festivals

Frightfest 2022: Incredible but true (Festival Review)

Rob Simpson 31/08/2022
Frightfest 2022: Incredible but true (Festival Review)

Quentin Dupieux is a fascinating multihyphenate. For my generation, he emerged with the puppet Flat Eric and his dance single, flat beat. Since then, he emerged as a filmmaker and his first notable cut-through came in 2010’s Rubber A.K.A. The killer tyre movie, and in the decade since he’s continued […]

  • From the Festivals
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Orchestrator of Storms (Frightfest 2022)(Review)

Autumn Parker 30/08/2022
Orchestrator of Storms (Frightfest 2022)(Review)

Many directors, namely European cult ones, have fallen by the wayside in the throes of time. Very few of them have had such a dramatic positive shift in public – albeit public in a cult horror way – opinion than that of French surrealist Jean Rollin. Very much a filmmaker […]

  • From the Festivals
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FrightFest 2022: The Leech (Festival Review)

Ygraine Hackett-Cantabrana 30/08/2022
FrightFest 2022: The Leech (Festival Review)

A well-meaning Catholic priest, desperate to act out the pinnacle of good samaritan cheer and Christmas charity, inadvertently allows a drifter and his girlfriend to take refuge in his deceased mother’s house for the holidays. Father David soon realises, that taking in strangers may not have been his best plan, […]

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The Big Chill (1983): nostalgic, reflective, snarky and full of love – a warm hug of a film (Blu-Ray Review)

Vincent Gaine 29/08/2022
The Big Chill (1983): nostalgic, reflective, snarky and full of love – a warm hug of a film (Blu-Ray Review)

College days, or university days as they are known in the UK, can be among the most memorable and formative that people experience. The friendships made, the ambitions held, the ideals believed in. Sometimes these days help shape our lives, other times we wonder what happened to the days and […]

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Vengeance is Mine, All Others Pay Cash (2021) Entertainingly Rustic Genre Mashup… with Caveats (VOD review)

Ben Jones 26/08/2022
Vengeance is Mine, All Others Pay Cash (2021) Entertainingly Rustic Genre Mashup… with Caveats (VOD review)

I do love a good mashup of genres in a movie. From Horror Musicals to Sci-Fi Actioners, a blending of ideas and rules often hits my cinematic sweet spot and probably explains my penchant for Korean cinema. So when I heard of Edwin’s 2021 Indonesian film Vengeance is Mine, All […]

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  • Reviews

Her Way (2022) Sentimental and melancholic but truthful (Cinema & VOD Review)

Keith Dwyer 26/08/2022
Her Way (2022) Sentimental and melancholic but truthful (Cinema & VOD Review)

Quite an earnest film about sex work – I imagine – is more an unflinching look at working simply to survive. Marie is a single mother, trying to make enough money to send her son to college in the hopes that he can become a chef. Her current income cannot […]

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