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Thursday, Oct 22, 2026
New REVIEWS!
Ghost in the Cell (2026) A Kind Heart Under the Gore and Slap-Happy Combat
High Road to China (1983) A Boy’s Own Adventure
Survive Style 5 (2004) The Return of a Stone Cold Cult Classic Weirdo
The Shout (1978): cryptic, constantly rewarding folk horror classic
Eastern Trails – The Western at DEFA (1967-75): go east, young man!
Hush (2016) Mike Flanagan’s Early Suspenseful Horror, Reimagined
Trick or Treat (1986) THE Rock N’ Roll High Camp Comedy Horror Classic
Sexy Beast 4K (2000) Sweltering Heat & Subversive Gangsters
Semolina Pilchard (2026) A fearless independent Crime Thriller, Liverpool-Style
The Black Rock (2026) Impressive Micro-Budget WWII Drama
Histoire(s) du cinéma (1988-1998) review 2: the extras (1982-2024)
Treasures from the Golestan Film Studio (1961-1974): the union that birthed Iranian cinema

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1

Classic Film Kid – Down by Law (1986)

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The Crazy Family (1984) Energetic Bad-Taste Comedy Breaks down the Traditional Japanese Family Drama (Review)

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The Son of the Sheik: The Return to Form That Proved to Be Valentino’s Swansong (Review)

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Golgo 13 (1973) Ken Takakura at his Effortless Best (Review)

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My 20th Century (1989) a full-on thermonuclear blast of intellectual, comic and sensory pleasure (Review)

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She Said (2022)A call to arms for the power of voices (Cinema Review)

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Histoire(s) du cinéma (1988-1998): review 1A – the stories

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Slaughter in San Francisco (1974) One for the Brucesploitation Faithful (Review)

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The Beast Within (2024) An intricate, Slow Burn tale of Dread & Secrets (Review)

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Mudbound (2017) The Unspoken Face of The American Experience (Review)

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Tartuffe (1925) Dynamic, daring and full of beautiful compositions, it’s definitely more than lesser Murnau (Review)

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Movies & Documentaries

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Elvira Mistress of the Dark (1988) Campy, Super Sarky Supernatural Laughs

David O Hare 27/11/2024
Elvira Mistress of the Dark (1988) Campy, Super Sarky Supernatural Laughs

Picture it, Halloween night, 1993 and 13-year-old me is too terrified to watch A Nightmare on Elm Street which my friend’s parents have rented on video (look it up, kids) for the annual Halloween party. So, suffering from major humiliation, I was thrust alone into an upstairs bedroom with the […]

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Things Will Be Different (2024): Small-Scale Thriller with Big Ideas

Mike Leitch 27/11/2024
Things Will Be Different (2024): Small-Scale Thriller with Big Ideas

Low-fi indie sci-fi is a surprisingly fertile sub-genre, something that can be traced back to classics like The Twilight Zone that lacked the budget for epic effects but used their limitations to explore big concepts. It’s a great place to showcase great film-makers who go on to bigger budgets, such […]

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Watership Down (1978) The Crown Prince of Kindertrauma

Vincent Gaine 26/11/2024
Watership Down (1978) The Crown Prince of Kindertrauma

Since its original release in 1978, several generations, especially in the United Kingdom, Watership Down has been synonymous with trauma. Following subsequent television broadcasts, Martin Rosen’s adaptation of Richard Adams’ novel has secured its place in animated film history, not least because of the controversy provoked by its brutal violence […]

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Days & Afternoon (2015 & 2020) Two Films by Tsai Ming-Liang

Jimmy Dean 25/11/2024 1
Days & Afternoon (2015 & 2020) Two Films by Tsai Ming-Liang

I only watched Goodbye Dragon Inn for the first time in 2022. I hadn’t seen anything like it before. I wasn’t new to slower cinema, but I was new to Tsai Ming-liang, who seemed to have cast a spell on me — I was transfixed by his images and blown […]

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Tank Girl (1995) Misunderstood 90s disaster plays brilliantly thirty years later

Simon Ramshaw 25/11/2024
Tank Girl (1995) Misunderstood 90s disaster plays brilliantly thirty years later

The 4D experience of Rachel Talalay’s Tank Girl isn’t exactly something to recommend. Imagine waking up in the morning, attempting to perform one’s first evacuation (a Number One, thankfully) and ablution of the day, only to discover the water supply of your entire local area is off. Then find yourself […]

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Super Spies and Secret Lies: Three Undercover Classics from Shaw Brothers (1966-9) (Review)

Graham Williamson 25/11/2024
Super Spies and Secret Lies: Three Undercover Classics from Shaw Brothers (1966-9) (Review)

Have you ever seen a spy movie from Hong Kong? My guess is, if you have any interest in Far Eastern cinema at all, you probably have. Enter the Dragon, no less, sees Bruce Lee going undercover at the behest of British intelligence; Jackie Chan and Stephen Chow have also […]

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Liverpool Story (2024) The Pool of Life

Mark Cunliffe 22/11/2024
Liverpool Story (2024) The Pool of Life

This is a documentary portrait of the year in the life of a city, Liverpool. Directed by Daniel Draper – the man behind a string of documentaries including Nature of the Best, a profile of veteran socialist Labour MP Dennis Skinner, and The Big Meeting about the annual Durham Miners […]

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The Sword (1980) A King Hu-like Martial Arts Rarity

Rob Simpson 22/11/2024
The Sword (1980) A King Hu-like Martial Arts Rarity

Sound, particularly music, is such a key component of movies. It is pivotal in creating an era, atmosphere, tension, and emotions to the extent that a great deal of the work in a horror movie comes from effective scoring and sound design. Key word there: effective. See, anachronistic music and […]

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Japan Organised Crime Boss (1969) The Yakuza Movie Before Yakuza Movies

Rob Simpson 20/11/2024
Japan Organised Crime Boss (1969) The Yakuza Movie Before Yakuza Movies

It’s curious the idea that there was a time when the modern yakuza movie wasn’t a thing, but as yakuza film historian Akihiko Ito says, in the extras of Radiance Films lush new release of Kinji Fukasaku’s Japan Organised Crime Boss, that was once the case. They used to be […]

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Haxan (1922) One of the Single Most Important Texts for Folk Horror

Billy Stanton 20/11/2024
Haxan (1922) One of the Single Most Important Texts for Folk Horror

Sometimes it can be hard to know where to begin with a review, especially when it’s a title like Haxan – Benjamin Christensen’s 1922 hybrid horror documentary-esque essay that, it could be argued, created this type of film. It walks a strange tightrope between over-familiarity and freshness, shock and nostalgia […]

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