It would be wrong to say British film hasn’t dealt with the countryside, but it certainly hasn’t dealt with it in any depth. For the first half-century or so of British cinema it might as well have been a painted backdrop, just some pretty, quintessentially British scenery against which melodramas […]
Reviews
Stormy Monday (1988) Mike Figgis’s Anti-American moody noir (Review)
It would probably be impossible to make a genuinely anti-American film; as with rock and roll, the USA has contributed so much to the history of the art form that any political stance has to be tempered by the sheer cultural debt. Mike Figgis’s debut film Stormy Monday, now reissued […]
Doberman Cop (1977) A peculiar Sonny Chiba character in an endlessly odd police thriller (Review)
Once upon a time, it was instantly apparent when a film was based on a comic or graphic novel as those films concerned themselves with the super-powered and the otherworldly, then around the mid-1990s there was a paradigm shift and the nature of these titles became indistinguishable from the more […]
Daughters of the Dust (1991) recalls Tarkovsky, Resnais or any other sanctified European arthouse auteur you might care to name (Review)
Julie Dash’s debut film turned 25 last year, but even without the anniversary, this sumptuous BFI restoration would still probably exist. In the late 2010s, the film has become more relevant than ever. It is an inspiration for a new generation of African-American directors – Ava DuVernay has repeatedly cited […]
Stockholm, My Love (2016) The audacity that marks out the best documentary-fiction hybrids is missing (Review)
It’s not unknown for film directors to start their career as critics, but Mark Cousins is one of the rare breed who practice both disciplines at the same time. As such, it can be hard to avoid looking for connections, seeing the criticism and films as the left hemisphere and […]
The Bird with the Crystal Plumage (1970) Dario Argento as the complete article (Review)
While far from the most prolific in the sub-genre, Dario Argento is synonymous with the Giallo. His directorial debut, The Bird with the Crystal Plumage, counts among the most acclaimed and beloved movies in the cycle – also, it is credited as popularising the style across the world. The man […]
Ip Man: The Final Fight (2013) Too many plots spoil this non-action kung fu broth (Review)
Folk Heroes are such huge figures of Chinese culture that to western eyes it may look like the milking of a particularly bounteous cash cow, look at Wong Fei Hung & Fong Sai-Yuk – between them we are looking at hundreds of titles. Both of those figures date back hundreds […]
Minute Bodies: The Intimate World of F. Percy Smith (2016) it’s a tribute to life, in all its messy glory (Review)
Now here’s a real curio, and one you might be utterly beguiled by. Minute Bodies is a compilation of work by the British biologist and pioneering filmmaker F. Percy Smith and his colleague and editor Mary Field. Smith was quite a celebrity in his day, cultivating an eccentric domestic-boffin image […]
Graduation (2016) a cinematically damning indictment of Romanian society in three well-versed acts (Review)
Despite some questionable actions, it’s hard not to feel sorry for Adrian Titieni’s Dr Romeo Aldea in award-winning director Cristian Mungiu’s film Graduation (or Bacalaureat as it is known in its native Romania); weighed down by middle age and with only his good reputation to comfort him and measure his success by, […]
Steve McQueen: The Man & Le Mans (2017) For fans of Formula One and “the King of Cool” (Review)
If you read the stories surrounding the production of the film Le Mans, the ill-fated Steve McQueen racing passion project, then it sounds like the production of Coppola’s Apocalypse Now. Both films went massively over budget and over schedule, accidents occurred, cast and crew members dropped out by the day etc. But […]