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Wednesday, Jul 29, 2026
New REVIEWS!
The Odyssey (2026) Grounded & Terrifying, Nolan’s Boldest Adaptation to Date
Alice Doesn’t Live Here Anymore 4K (1974) – an underrated work from a legendary filmmaker
The Caretaker (2025) Bittersweet, Awkward, and Quietly Unsettling
The Boxer (1977) Rocky by quality, not by name
The Mortuary Assistant (2026) A Horror Game’s Logic Trapped in a Linear Film
Cold Prey (2006-2010) A Rare Nordic slasher Trilogy gets its due
Nirvanna the Band the Show the Movie (2025)(II) – Long-gestating gutbuster from Canada’s finest pranksters
Love is the Monster (2026) A Handsome, Horny, Hopelessly Chaotic Horror
Madhouse (1974) The Price is Right
Kraken (2026) A tale of tension, patience, and a creature waiting in the wings
Signal One (2026) A small‑scale sci‑fi that refuses to stay small
Empire of the Ants (1977) The Surprising Liminality of a B.I.G Killer Ant Movie

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Reviews

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The Man Between (1953) A tense prototype for the behind enemy lines political thriller (Review)

Rob Simpson 03/01/2017
The Man Between (1953) A tense prototype for the behind enemy lines political thriller (Review)

The cooperative forces of the internet and a golden age of home video have put the idea of filmmakers known for one film to bed. Carol Reed was one such director. He was celebrated for the Third Man but with the strength of the Blu-ray market, the likes of Fallen […]

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The Emigrants (1971) / The New Land (1972) (Review)

Graham Williamson 27/12/2016
The Emigrants (1971) / The New Land (1972) (Review)

In its native America, the Criterion Collection earned its reputation for desirable, extras-packed editions of arthouse classics over whole decades, disc by disc. When it expanded to Region 2 in April this year, it wasn’t an unknown quantity – cinephiles with region-free players had been spreading the word for years. […]

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Fright Night (1985) Effortlessly cool 1980s comedy-horror classic (Review)

Rob Simpson 23/12/2016
Fright Night (1985) Effortlessly cool 1980s comedy-horror classic (Review)

Horror directors in the 1970s enjoyed expressing themselves through the language of exploitation, fast forward to the 1990s and beyond and a sea change was made towards a more cynical, cheap, production line designed to make as big a profit as possible. The 1980s where an anomaly, unlikely to ever […]

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The Squid and the Whale (2005) one of the most endearing examples of divorce-cinema (Review)

Rob Simpson 19/12/2016
The Squid and the Whale (2005) one of the most endearing examples of divorce-cinema (Review)

In a director interview, Noah Baumbach says of his newly issued Criterion Collection film, the Squid and the Whale, that he typically finds the writing process laborious but in the scripting of his 2005 film it was a deeply physical experience – exorcising demons that have laid dormant for years. […]

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The Blue Lamp (1950) The movie that birthed the influential Dixon of Dock Green (Review)

Rob Simpson 13/12/2016
The Blue Lamp (1950) The movie that birthed the influential Dixon of Dock Green (Review)

Whether or not the name is familiar, Dixon of Dock Green is one of the most influential British television shows ever. Without it, the police procedural on both small and big screens would be a very different proposition. But before any of that, it too had its own genesis and […]

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Three Wishes For Cinderella (1973) A Christmas Favourite in Mainland Europe for all the right reasons (Review)

Aidan Fatkin 11/12/2016
Three Wishes For Cinderella (1973) A Christmas Favourite in Mainland Europe for all the right reasons (Review)

Everyone has at least one film they watch each and every year once Christmas is on the horizon. Films like Home Alone, It’s a Wonderful Life and A Christmas Story are enjoyed by billions of people all across the world and will continue to remain popular in the future. However, […]

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The Royal Tenenbaums (2001) Wes Anderson at his profoundly sad, moving and redemptive best (Review)

Graham Williamson 11/12/2016 1
The Royal Tenenbaums (2001) Wes Anderson at his profoundly sad, moving and redemptive best (Review)

Reputations are a slippery thing, and directors sometimes start their career with one that completely contradicts the one they get later. The French critics who would come to damn Spielberg as the McDonalds of cinema had previously swooned over the existential spareness of Duel. Likewise, after works like O Brother, […]

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The Small World of Sammy Lee (1963) A Forgotten Gem of the Wave of British Social Realism (Review)

Aidan Fatkin 07/12/2016
The Small World of Sammy Lee (1963) A Forgotten Gem of the Wave of British Social Realism (Review)

Do you remember Ken Hughes? No? Let me jog your memory. Ken Hughes is the director behind such British films as The Trials of Oscar Wilde, Cromwell, and easily his most famous work, the children’s film Chitty Chitty Bang Bang. With the odd exceptions like Chitty and Cromwell, chances are […]

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I Am Not a Serial Killer (2016) Max Powers stands out in a study of small-town evil (Review)

Mark Cunliffe 28/11/2016
I Am Not a Serial Killer (2016) Max Powers stands out in a study of small-town evil (Review)

Based on a 2009 ‘Young Adult’ novel by Dan Wells (the first in a trilogy I believe) I Am Not a Serial Killer is a British/Irish co-production set and shot in the chilly Midwestern state of Minnesota. It is directed by Billy O’Brien and stars the seventeen-year-old Max Records, Laura […]

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The Wailing (2016) Skin-Crawling Classical Horror, Korean Style (Review)

Rob Simpson 26/11/2016
The Wailing (2016) Skin-Crawling Classical Horror, Korean Style (Review)

Once upon a time horror meant something. It was more of a genre than the series of boxes that need to be ticked to provoke an emotional reaction like it is now. The words “it’s terrible, wasn’t even scary”, have become an epitaph of its downfall. The decline of narrative went […]

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