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Wednesday, Jul 22, 2026
New REVIEWS!
Cold Prey (2006-2010) A Rare Nordic slasher Trilogy gets its due
Nirvanna the Band the Show the Movie (2025)(II) – Long-gestating gutbuster from Canada’s finest pranksters
Love is the Monster (2026) A Handsome, Horny, Hopelessly Chaotic Horror
Madhouse (1974) The Price is Right
Kraken (2026) A tale of tension, patience, and a creature waiting in the wings
Signal One (2026) A small‑scale sci‑fi that refuses to stay small
Empire of the Ants (1977) The Surprising Liminality of a B.I.G Killer Ant Movie
Familiar Touch (2024): dementia drama without the melodrama
Affection (2026): A Familiar but Disturbing Twist on Memory-loss Thriller
Hi Mom! (1970) De Palma’s Wildest Early Provocation
Slither (2006) – Silly Schlocky Blast of Smalltown Sci-Fi Fun
Hacked: A Double Entendre of Rage-Fueled Karma (2025) A chaotic act of cinematic payback

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Reviews

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Things Will Be Different (2024): Small-Scale Thriller with Big Ideas

Mike Leitch 27/11/2024
Things Will Be Different (2024): Small-Scale Thriller with Big Ideas

Low-fi indie sci-fi is a surprisingly fertile sub-genre, something that can be traced back to classics like The Twilight Zone that lacked the budget for epic effects but used their limitations to explore big concepts. It’s a great place to showcase great film-makers who go on to bigger budgets, such […]

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Watership Down (1978) The Crown Prince of Kindertrauma

Vincent Gaine 26/11/2024
Watership Down (1978) The Crown Prince of Kindertrauma

Since its original release in 1978, several generations, especially in the United Kingdom, Watership Down has been synonymous with trauma. Following subsequent television broadcasts, Martin Rosen’s adaptation of Richard Adams’ novel has secured its place in animated film history, not least because of the controversy provoked by its brutal violence […]

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Days & Afternoon (2015 & 2020) Two Films by Tsai Ming-Liang

Jimmy Dean 25/11/2024 1
Days & Afternoon (2015 & 2020) Two Films by Tsai Ming-Liang

I only watched Goodbye Dragon Inn for the first time in 2022. I hadn’t seen anything like it before. I wasn’t new to slower cinema, but I was new to Tsai Ming-liang, who seemed to have cast a spell on me — I was transfixed by his images and blown […]

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Tank Girl (1995) Misunderstood 90s disaster plays brilliantly thirty years later

Simon Ramshaw 25/11/2024
Tank Girl (1995) Misunderstood 90s disaster plays brilliantly thirty years later

The 4D experience of Rachel Talalay’s Tank Girl isn’t exactly something to recommend. Imagine waking up in the morning, attempting to perform one’s first evacuation (a Number One, thankfully) and ablution of the day, only to discover the water supply of your entire local area is off. Then find yourself […]

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Super Spies and Secret Lies: Three Undercover Classics from Shaw Brothers (1966-9) (Review)

Graham Williamson 25/11/2024
Super Spies and Secret Lies: Three Undercover Classics from Shaw Brothers (1966-9) (Review)

Have you ever seen a spy movie from Hong Kong? My guess is, if you have any interest in Far Eastern cinema at all, you probably have. Enter the Dragon, no less, sees Bruce Lee going undercover at the behest of British intelligence; Jackie Chan and Stephen Chow have also […]

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The Sword (1980) A King Hu-like Martial Arts Rarity

Rob Simpson 22/11/2024
The Sword (1980) A King Hu-like Martial Arts Rarity

Sound, particularly music, is such a key component of movies. It is pivotal in creating an era, atmosphere, tension, and emotions to the extent that a great deal of the work in a horror movie comes from effective scoring and sound design. Key word there: effective. See, anachronistic music and […]

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Japan Organised Crime Boss (1969) The Yakuza Movie Before Yakuza Movies

Rob Simpson 20/11/2024
Japan Organised Crime Boss (1969) The Yakuza Movie Before Yakuza Movies

It’s curious the idea that there was a time when the modern yakuza movie wasn’t a thing, but as yakuza film historian Akihiko Ito says, in the extras of Radiance Films lush new release of Kinji Fukasaku’s Japan Organised Crime Boss, that was once the case. They used to be […]

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Haxan (1922) One of the Single Most Important Texts for Folk Horror

Billy Stanton 20/11/2024
Haxan (1922) One of the Single Most Important Texts for Folk Horror

Sometimes it can be hard to know where to begin with a review, especially when it’s a title like Haxan – Benjamin Christensen’s 1922 hybrid horror documentary-esque essay that, it could be argued, created this type of film. It walks a strange tightrope between over-familiarity and freshness, shock and nostalgia […]

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Tomie (1998) She may keep coming back, but the audience won’t be

Phoenix Hunter-Clarke 19/11/2024
Tomie (1998) She may keep coming back, but the audience won’t be

One of the most common tropes of all time in media is that of a missing or murdered teenage girl — a horror story that is tragically a reality for far too many. Typically, the narrative opens with the detective protagonist studying the life of the subject of their case; […]

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Black Tuesday (1954) Roughed-up noir gem with a dark shadow for a soul

Simon Ramshaw 18/11/2024
Black Tuesday (1954) Roughed-up noir gem with a dark shadow for a soul

The tagline of Hugo Fregonese’s Black Tuesday thunderously announces itself as “the most ruthless Robinson of all time!”, putting its rough-and-ready leading man Edward G. Robinson front and centre of the action. And that’s certainly true; today, not even the cumulative power of Tim Robinson’s screaming sketch comedy oeuvre or […]

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