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Monday, Sep 7, 2026
New REVIEWS!
Holy Days (2026) Your Granny’s Feel-Good Movie of the Year
Vampire’s Kiss (1988) The Patient Zero of Nicolas Cage Performances
Hellcat (2025) Breathes Fresh Life into One-Location Horror
Jiří Trnka – Puppet Master: The Czech Year (1947), Old Czech Legends (1953), The Hand (1965)
Stolen Kingdom (2026) – A whole new world behind the curtain
Dead Man’s Shoes (2004) A Taut and Terrifying Tale of Abuse and Revenge
Two Boxes: Televised Terror in Franco’s Spain (1972 & 1974) Unabashed horror that puts most feature lengths to shame
Cruel Hands (2026) A Grim and Tense Domestic Horror of Flight and Fire
Into the Forest: Folktales at DEFA (1955-77) The Film That Made Paul Whitehouse Pee His Pants (as a child)
Desperate Living (1977) The darkest, cruellest, and most shocking entry in Waters’ Trash Trilogy
The Odyssey (2026) Grounded & Terrifying, Nolan’s Boldest Adaptation to Date
Alice Doesn’t Live Here Anymore 4K (1974) – an underrated work from a legendary filmmaker

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Play On! Shakespeare in Silent Film (2016) Pulls off the Impossible (Review)

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Reviews

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Mississippi Mermaid (1969): Truffaut’s Misunderstood Tale of Mystery and Erotic Obsession (Review)

Mark Cunliffe 29/07/2024
Mississippi Mermaid (1969): Truffaut’s Misunderstood Tale of Mystery and Erotic Obsession (Review)

Released to Blu-ray by Radiance Films this week is Mississippi Mermaid, a 1969 Hitchcockian thriller from François Truffaut that tells of an obsessive love affair between Jean-Paul Belmondo and Catherine Deneuve. By the late 1960s, Truffaut had long since earnt his spurs as an acclaimed auteur within the French New […]

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The Nico Mastorakis Collection (1984-1992) Movie (Review)(Part Two)

Robyn Adams 29/07/2024
The Nico Mastorakis Collection (1984-1992) Movie (Review)(Part Two)

This is the second part of an extensive two-part review of Arrow Video’s new boxset, The Nico Mastorakis Collection, which you should check that out for context (this part is a continuation after all), and to get a proper sense of the man, the myth… the Mastorakis. READ PART ONE […]

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The Nico Mastorakis Collection (1984-1992) (Review – Part One)

Robyn Adams 28/07/2024 1
The Nico Mastorakis Collection (1984-1992) (Review – Part One)

For those of you who don’t know who Nico Mastorakis is allow me to fill you in with a bit of context. Mastorakis is an 83-year-old Greek filmmaker, radio DJ, and journalist, who was responsible for a slew of cult genre titles like The Zero Boys (1986), Hired to Kill […]

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Message From Space (1978) Japan’s Contribution to the Star Wars Craze (Review)

Ben Jones 25/07/2024
Message From Space (1978) Japan’s Contribution to the Star Wars Craze (Review)

There has been a long tradition of Tokusatsu (特撮 – “Special Photography”) in Japanese cinema. With greats like Ishiro Honda and Eiji Tsuburaya unleashing on an unsuspecting world the most they Gojira/Godzilla in 1954, Science Fiction would never be the same again in Japan. Eiji Tsuburaya in particular created many […]

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Love Hotel (1985) – Comfort found within neon-lit heartbreak (Review)

James Rodrigues 25/07/2024
Love Hotel (1985) – Comfort found within neon-lit heartbreak (Review)

The latest addition to Third Window Films directors company series, Love Hotel, opens in a neon-lit room at a salacious hotel, where Tetsuro Muraki (Minori Terada) lays on the bed as he waits for somebody to arrive. What may seem like a casual hook-up is instead a moment of despair, […]

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A Bittersweet Life (2005) One of the Many Guiding Lights of the Korean Golden Age (Review)

Ben Jones 24/07/2024
A Bittersweet Life (2005) One of the Many Guiding Lights of the Korean Golden Age (Review)

The South Korean New Wave of the late 1990s to mid 2000s shone a light onto a country whose films were reserved for the arthouse cinemas and festival circuits, with directors such as Im Kwan Taek and Lee Chang-dong telling beautiful stories of Korean people and the loss of their […]

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The Landlord (1970) Raising Laughs and Awareness not Rent (Review)

Mark Cunliffe 24/07/2024
The Landlord (1970) Raising Laughs and Awareness not Rent (Review)

Released by Radiance this week is The Landlord, Hal Ashby’s 1970 directorial debut. As a movie, The Landlord may have some of the rough edges of a first effort, but it also has the distinctive offbeat talent and approach that the inimitable Ashby would bring to his successive ventures. Specifically […]

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Blow Out 4K (1981): A Taut, Tense and Involving Thriller (Review)

Alex Paine 23/07/2024
Blow Out 4K (1981): A Taut, Tense and Involving Thriller (Review)

The poster for Blow Out – a stark picture of John Travolta’s face screaming from within a void of blackness – has been staring at me ever since I first noticed it in my dad’s movie collection as a little kid. I never knew what it was about, who was […]

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The Double Crossers (1976) Kung Fu Meets Poliziotteschi (Review)

Ben Jones 23/07/2024
The Double Crossers (1976) Kung Fu Meets Poliziotteschi (Review)

It can’t be stated enough just how much the release of King Boxer (aka Five Fingers Of Death) in North America changed the landscape of this very regional film industry. Suddenly the largest film market in the world was available and a flood of Kung Fu movies would find their […]

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Creation of the Gods I: Kingdom of Storms (2023) Ancient Chinese Folktale with Spectacle as Epic as Lord of the Rings (Review)

Ben Jones 22/07/2024
Creation of the Gods I: Kingdom of Storms (2023) Ancient Chinese Folktale with Spectacle as Epic as Lord of the Rings (Review)

I can see the quotes now, “The Chinese Lord Of The Rings” they’ll call it, and whilst that isn’t a wild and inaccurate statement (and genuinely meant as a compliment), it does undermine the cultural significance of Creation of the Gods’ story and how only now is it possible to […]

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