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Thursday, Jul 23, 2026
New REVIEWS!
The Caretaker (2025) Bittersweet, Awkward, and Quietly Unsettling
The Boxer (1977) Rocky by quality, not by name
The Mortuary Assistant (2026) A Horror Game’s Logic Trapped in a Linear Film
Cold Prey (2006-2010) A Rare Nordic slasher Trilogy gets its due
Nirvanna the Band the Show the Movie (2025)(II) – Long-gestating gutbuster from Canada’s finest pranksters
Love is the Monster (2026) A Handsome, Horny, Hopelessly Chaotic Horror
Madhouse (1974) The Price is Right
Kraken (2026) A tale of tension, patience, and a creature waiting in the wings
Signal One (2026) A small‑scale sci‑fi that refuses to stay small
Empire of the Ants (1977) The Surprising Liminality of a B.I.G Killer Ant Movie
Familiar Touch (2024): dementia drama without the melodrama
Affection (2026): A Familiar but Disturbing Twist on Memory-loss Thriller

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1

Peeping Tom (1960) – A rightfully reappraised masterwork (Review)

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Death in Venice (1971): Luchino Visconti makes a good film, but a bad adaptation (Review)

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Diabolic (2026) Conventionally plotted Religious Horror that drips with Dread and Atmosphere

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The Car (1977): Christine in the Desert with a Moustache (Review)

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Sinners (2025) A Must See Theatre Experience

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The Great Escape (1963) Christmas Classics and the Issue of Historical Accuracy

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The Game Trilogy (1978/9) Classic Japanese Carnage with a Huge Slice of Cool (Review)

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An Actor’s Revenge (1963) Pays thoughtful homage to Japanese theatre’s Kabuki history (Review)

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Boy Erased (2018) Not Quite Erased, But Not Fully Drawn (Review)

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The Albino’s Trees (2016) Eiko Ishibashi Scored Killing of a Sacred Deer (Review)

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The Flash (2023) Hugely Mixed Swansong for the DCEU (Review)

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Cosmos (2015) Żuławski ransacks his knowledge of art and pop culture for the most surreal swansong (Review)

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Reviews

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The Miracle Fighters (1982) Lost Under the Weight of Yuen Woo Ping’s Many Classics (Review)

Ben Jones 26/06/2024
The Miracle Fighters (1982) Lost Under the Weight of Yuen Woo Ping’s Many Classics (Review)

Yuen Woo Ping. One of the few names that has transcended the films he worked on and become synonymous with top quality fights. Thanks to his work on films such as The Matrix, Kill Bill and arguably the one that put his name on the global cinematic map, Crouching Tiger, […]

  • Movies & Documentaries
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Bandits of Orgosolo + The Lost World (1961) Radiance’s Best Release Yet (Review)

Jimmy Dean 24/06/2024
Bandits of Orgosolo + The Lost World (1961) Radiance’s Best Release Yet (Review)

I reliably watch around 300 films every year. I am set to fall a long way short of that in 2024. Over the last two months, I’ve found it hard to concentrate as I focused my energy on preparing to move out of my damp flat while chronically ill, opting […]

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Gonjiam Haunted Asylum (2018) Old School Haunted House Terror from Korea (Review)

Rob Simpson 24/06/2024
Gonjiam Haunted Asylum (2018) Old School Haunted House Terror from Korea (Review)

Korean Horror is a little known entity outside of the TV format, and even though, like Japan, it has a reductive abbreviation to pack all of its horrors together in a digestible sub-genre (K-Horror), there’s no poster child, no Ringu, Cure, or Dark Water level threat. You could cite the […]

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The Sacrament (2013) Ti West’s true-story Exploitation goes South (Review)

Simon Ramshaw 24/06/2024
The Sacrament (2013) Ti West’s true-story Exploitation goes South (Review)

No one does genre pastiche quite like Ti West who, after working his way up from no-budget shorts to no-budget features, finally took off in 2009 with the one-two hits of a ready-made cult classic (House of the Devil), and a straight-to-video sequel (Cabin Fever 2: Spring Fever). There’s an […]

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The G (2023): lean, realist revenge thriller puts a welcome spotlight on Dale Dickey (Review)

Graham Williamson 21/06/2024
The G (2023): lean, realist revenge thriller puts a welcome spotlight on Dale Dickey (Review)

The concept of “geriaction” has been around for a fair while, although not long enough for people to give it a better name. Younger audiences born around the time Liam Neeson made his first Taken movie in 2008 might be forgiven for assuming older leads are just a thing action […]

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The Exorcism (2024) Russell Crowe Goes Method in Meta-horror Mix-up (Review)

Jake Kazanis 20/06/2024
The Exorcism (2024) Russell Crowe Goes Method in Meta-horror Mix-up (Review)

Let’s get the obvious out the way first; no, The Exorcism has no connection to The Pope’s Exorcist, the uniformly-titled occult horror released only last year where Russell Crowe played an exorcist and also shares a near identical poster. In fact, this uncanny case of cinematic deja-vu is one of […]

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The Crazy Family (1984) Energetic Bad-Taste Comedy Breaks down the Traditional Japanese Family Drama (Review)

Graham Williamson 17/06/2024
The Crazy Family (1984) Energetic Bad-Taste Comedy Breaks down the Traditional Japanese Family Drama (Review)

The first thing you wonder when you sit down to watch a film called The Crazy Family – now released on Blu-Ray by Third Window – is how crazy are they going to be, exactly? “Crazy”, as a descriptor, can be pretty relatable: we were definitely meant to feel for Beyonce when […]

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Sasquatch Sunset (2024) – An absurdist look at the fragility of life (Review)

James Rodrigues 14/06/2024
Sasquatch Sunset (2024) – An absurdist look at the fragility of life (Review)

After directing 3 episodes of the one-of-a-kind TV series The Curse, Nathan and David Zellner craft another experimental work. This time, Sasquatch Sunset unfolds in the misty forests of Northern California following a family of four Sasquatches who may be the last of their kind. Set over the course of […]

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The Moor (2024) – Thick in atmosphere, thin on character (Review)

Jake Kazanis 14/06/2024
The Moor (2024) – Thick in atmosphere, thin on character (Review)

The Moor is the debut feature-film from Chris Cronin, and it stays true to the UK’s rich history of regional folk horror while making damn sure to get the most out of the locality it’s named after – specifically Yorkshire. Horror has a long history rooted in the area, from […]

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Sorcery (2023): A Patient, Ethereal Addition to the Post-2010s Folk Horror Revival

Joe McKeown 14/06/2024
Sorcery (2023): A Patient, Ethereal Addition to the Post-2010s Folk Horror Revival

There’s been quite a boom in the folk horror scene over the past decade and a half as filmmakers like Ben Wheatley, Robert Eggers, Ari Aster, Oz Perkins and Goran Stolevski have each crafted singular works within the genre. Sorcery – the latest effort from Chilean director Christopher Murray – […]

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