Fifteen years after the release of Jennifer’s Body, now firmly considered a cult horror hit, Diablo Cody makes a highly anticipated return to the genre. Interestingly, it is also her return to teen centred horror even though it feels closer to noughties teen life than teens today. Its retro eighties […]
Reviews
In a Violent Nature (2024): A New Breed of Post-Slasher Horror (Review)
One of the year’s most extraordinary filmgoing experiences must surely go to Chris Nash’s In a Violent Nature. Taking the basic premise of “Friday the 13th seen from Jason’s perspective”, this unique slasher turns the entire genre on its head, and has more to say between the long stalking shots […]
Soldier Blue (1970): Vietnam Allegory Via Violent Revisionist Western (Review)
“I saw the bodies of those lying there cut all to pieces, worse mutilated than any I ever saw before; the women cut all to pieces … With knives; scalped; their brains knocked out; children two or three months old; all ages lying there, from sucking infants up to warriors […]
Loop Track (2023): Sometimes It Doesn’t Have To End With A Bang (Review)
One of Arrow’s unsung strengths is their championing of worldwide genre cinema, and much as Tartan had done with J-Horror in the early 2000s, it’s thanks to their efforts that films like Jesus Shows You the Way to the Highway, Hounds of Love and Harpoon were all brought to our […]
What Remains (2022) A Bummer Scandi-noir from the Skarsgårds (Review)
At the height of a glorious summer I’m sure many people are thinking “You know what? I’m really in the mood to see a brooding, muted, Scandinavian true crime drama about a serial child-killer that’s set in the dead of winter”, and would you believe it? Icon Films have us […]
Kill (2024) In the Action Tradition of The Raid, Only Lesser (Review)
One dude progressing through an enclosed location killing many other dudes in quick succession has long been one of cinema’s greatest pleasures. It’s a simple premise, a simple action, a base repetition. At its best, this elevator pitch has produced films such as Gareth Evans’ tower block extravaganza The Raid. […]
Night of the Eagle (1962) Behind Every Great Man Is A Magical Woman (Review)
Norman Taylor is the envy of every man on Hempnell Medical College’s campus, and the darling of every teenage girl. He’s young and dynamic, with high grades that make him a shoo-in for tenure, and he’s got the tremendously sexy Tansy waiting at home. He seems to have it all, […]
The Agitator: Three Provocations from the Wild World of Jean-Pierre Mocky (1982-1987)(Review)
Say “Jean-Pierre Mocky” to even the most avid of French film fans on this side of the channel and you’re likely to receive little more than a shrug, but the iconoclastic writer/director/actor/cinema owner was a cult figure in his homeland, winning praise from no less than Jean-Luc Godard over a […]
Kinds of Kindness (2024) A Sandbox for Dramatic Discovery and Play (Review)
With Kinds of Kindness, mild-mannered Greek enfant terrible Yorgos Lanthimos has finally returned home to his long-time writing partner Efthimis Filippou (Dogtooth, The Lobster, The Killing of a Sacred Deer) after an extended vacation with screenwriter Tony McNamara (The Favourite, Poor Things). Or perhaps this is the vacation. With a […]
Rose (2022): Sofie Gråbøl Shines in this Study of Schizophrenia (Review)
Made in 2022, the Danish film Rose has finally made its long-anticipated way to our shores, becoming available in select cinemas and on demand from Friday, June 28th. The popularity of Danish or Scandinavian film and television has risen in recent years, thanks to their many crime dramas that continue […]