There’s a discussion to be had about how the age of streaming has either destroyed the concept of a made-for-television movie or revived it. Either way, The Initiation of Sarah shows its age as a nearly forty-five-year-old broadcast for television while being exactly the sort of film you could stumble […]
Reviews
The Shaolin Plot (1977) Sammo has always been a Win (Blu-Ray Review)
Moon 66 Questions (2021): subtly strange carer’s story that resists easy comparisons (Cinema Review)
Recently there’s been a surprising number of films about people with degenerative diseases, an apparently uncommercial subgenre that’s actually produced a number of sleeper hits and Oscar winners. If Jacqueline Lentzou’s Moon, 66 Questions doesn’t join them on the Kodak Theater stage, it will be for the noblest of reasons: […]
Execution in Autumn (1972) Melodrama, Sadness and the Taiwanese Experience (Blu-Ray Review)
Kill Them All and Come Back Alone (1968): The Dirty Half-Dozen of the Spaghetti Western (Review)
Released to Blu-ray on Studio Canal’s Cult Classics label comes a rip-roaring Spaghetti Western from 1968, Enzo G. Castellari’s wonderfully titled Kill Them All and Come Back Alone starring Chuck Connors, the rangy former basketball and baseball player and star of popular Western TV serials The Rifleman and Branded and […]
Outside the Law (1920): dated depictions can’t overshadow Tod Browning’s genius (Review)
Scare Us (2021) The Pick and Mix of Anthology Horror (Review)
The anthology is an interesting sub-genre. Classics like Twilight Zone: The Movie, Trick ‘r Treat and more recent offerings such as Bad Candy, Ghost Stories and Scary Stories to Tell in the Dark have demonstrated both the potential benefits and the pitfalls of telling multiple stories within a single overarching […]
Dead Man (1995) A wholly unique surrealist Western (Review)
For an extended period of time, the Western was the United States’ most beloved genre of film. Despite its popularity briefly dying as film transitioned between silent films and talkies, it was kicked back into the spotlight with John Ford’s Stagecoach; from that point onwards many directors such as Ford, […]