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Saturday, Sep 12, 2026
New REVIEWS!
World Noir Vol. 5 – Post War Italy in Crisis (1946, 1950 & 1951)
Holy Days (2026) Your Granny’s Feel-Good Movie of the Year
Vampire’s Kiss (1988) The Patient Zero of Nicolas Cage Performances
Hellcat (2025) Breathes Fresh Life into One-Location Horror
Jiří Trnka – Puppet Master: The Czech Year (1947), Old Czech Legends (1953), The Hand (1965)
Stolen Kingdom (2026) – A whole new world behind the curtain
Dead Man’s Shoes (2004) A Taut and Terrifying Tale of Abuse and Revenge
Two Boxes: Televised Terror in Franco’s Spain (1972 & 1974) Unabashed horror that puts most feature lengths to shame
Cruel Hands (2026) A Grim and Tense Domestic Horror of Flight and Fire
Into the Forest: Folktales at DEFA (1955-77) The Film That Made Paul Whitehouse Pee His Pants (as a child)
Desperate Living (1977) The darkest, cruellest, and most shocking entry in Waters’ Trash Trilogy
The Odyssey (2026) Grounded & Terrifying, Nolan’s Boldest Adaptation to Date

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Mark Cunliffe

Senior Contributor Mark's first cinematic experience was watching the Cannon and Ball vehicle, The Boys in Blue. He hasn't looked back since. Hailing from St Helens, he is an occasional contributor to Arrow DVD, writing booklet inlay essays on a variety of titles, including Children of Men and The Great Escape. He is a reviewer with IndieMDB and has also written a chapter for Ste Brotherstone and Dave Lawrence's book, Scarred For Life Vol II. Other sites he has written for include We Are Cult, Horrified, and America's left-leaning news outlet ZNetwork. Publications he has written articles for include Stat Magazine and the fanzine Undefined Boundary: The Journal of Psychick Albion. He is also a regular contributor to the Geek Show's podcasts, including Pop Screen and the Uncut series, and he can be found on Letterboxd.
  • Movies & Documentaries
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The Olive Tree (2016) Spanish Social Realism and the history of our homelands (Review)

Mark Cunliffe 01/03/2017
The Olive Tree (2016) Spanish Social Realism and the history of our homelands (Review)

The Olive Tree (or El Olivo as it’s known in its native Spanish) is director Icíar Bollaín’s third collaboration with the writer and long-term screenwriting partner of Ken Loach, Paul Laverty. It is an aesthetically beautiful, heartfelt and spiritual film that explores the notions of hope, tradition, history and economic […]

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The Unknown Girl (2016) Soap Opera Drama framed as documentary-style Belgian Social Realism (Review)

Mark Cunliffe 07/02/2017
The Unknown Girl (2016) Soap Opera Drama framed as documentary-style Belgian Social Realism (Review)

The Unknown Girl is the latest film from the Belgian Dardenne brothers, those purveyors of social realism who achieved critical and commercial acclaim most recently for their 2014 film Two Days, One Night, which starred Marion Cotillard as Sandra, a young woman who, following an absence from work due to […]

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Someday My Prince Will Come (2005) / Philip and His Seven Wives (2006): Two Films by Marc Isaacs

Mark Cunliffe 31/01/2017
Someday My Prince Will Come (2005) / Philip and His Seven Wives (2006): Two Films by Marc Isaacs

This welcome Second Run DVD release comprises two early films from the excellent British documentary filmmaker Marc Isaacs entitled Someday My Prince Will Come (2005) and Philip and His Seven Wives (2006). On the first inspection, they could be considered strange bedfellows with very little shared between each film other […]

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I Am Not a Serial Killer (2016) Max Powers stands out in a study of small-town evil (Review)

Mark Cunliffe 28/11/2016
I Am Not a Serial Killer (2016) Max Powers stands out in a study of small-town evil (Review)

Based on a 2009 ‘Young Adult’ novel by Dan Wells (the first in a trilogy I believe) I Am Not a Serial Killer is a British/Irish co-production set and shot in the chilly Midwestern state of Minnesota. It is directed by Billy O’Brien and stars the seventeen-year-old Max Records, Laura […]

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Napoleon (1927) a staggering and audacious work of art (Review)

Mark Cunliffe 17/11/2016
Napoleon (1927) a staggering and audacious work of art (Review)

If you like your cinema to be of the passionate spectacle variety, then the BFI’s new digitally restored version of Abel Gance’s 1927 5½ hour epic Napoleon is definitely for you. It may be ninety years old, but there is still a vibrancy that makes Gance’s masterpiece weather the tides […]

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Kes (1969) Despite approaching its 50th anniversary, it has barely dated a day (Review)

Mark Cunliffe 06/11/2016
Kes (1969) Despite approaching its 50th anniversary, it has barely dated a day (Review)

It may have only been his second feature, but Ken Loach’s 1969 film Kes remains one of the veteran director’s most distinctive and fondly recalled works. Perhaps this is the case because the signature working style we now associate with Loach was arguably first set here. Gone are some of […]

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