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Saturday, Sep 5, 2026
New REVIEWS!
Holy Days (2026) Your Granny’s Feel-Good Movie of the Year
Vampire’s Kiss (1988) The Patient Zero of Nicolas Cage Performances
Hellcat (2025) Breathes Fresh Life into One-Location Horror
Jiří Trnka – Puppet Master: The Czech Year (1947), Old Czech Legends (1953), The Hand (1965)
Stolen Kingdom (2026) – A whole new world behind the curtain
Dead Man’s Shoes (2004) A Taut and Terrifying Tale of Abuse and Revenge
Two Boxes: Televised Terror in Franco’s Spain (1972 & 1974) Unabashed horror that puts most feature lengths to shame
Cruel Hands (2026) A Grim and Tense Domestic Horror of Flight and Fire
Into the Forest: Folktales at DEFA (1955-77) The Film That Made Paul Whitehouse Pee His Pants (as a child)
Desperate Living (1977) The darkest, cruellest, and most shocking entry in Waters’ Trash Trilogy
The Odyssey (2026) Grounded & Terrifying, Nolan’s Boldest Adaptation to Date
Alice Doesn’t Live Here Anymore 4K (1974) – an underrated work from a legendary filmmaker

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1

Threshold (2020) The modern hustle of regional horror (Review)

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Pale Flower (1964) Humble, Contrarian Anti-Yakuza Classic (Review)

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Letter to Brezhnev (1985) A tough, rough and influential British Rom-Com (Review)

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The Hills Have Eyes (1977) The Evolution of Wes Craven, the rule-breaker (Review)

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The Driver (1978) Walter Hill’s influential, minimalist crime classic (Blu-Ray Review)

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Orphan First Kill (2022) This belated sequel is engaging, twisty and downright fun (Blu-Ray Review)

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The Hunchback of Notre Dame (1923) The Original Universal Monster makes his UK debut (Blu-Ray Review)

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The Harbinger (2022) The Unpredictability of Pandemic Terror tapped to create the stuff of Nightmares (Review)

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The Boy And The Heron (2023) – A Triumphant If Flawed Comeback For An Animation Titan

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Duel to the Death (1983) One of the unsung action movies of the 1980s (Review)

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The Middle Man (2021) Offbeat Dark Comedy Contains Plenty of Darkness But Not Enough Comedy (Review)

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Reviews

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Goebbels and the Fuhrer (2025) Exposé of Nazi Propaganda Machine Fails to Convince (Review)

Jake Kazanis 23/06/2025
Goebbels and the Fuhrer (2025) Exposé of Nazi Propaganda Machine Fails to Convince (Review)

At a time of somewhat renewed interest in the proliferation of propaganda in Nazi Germany with the recent release of Andres Veiel’s Reifenstahl, a documentary covering one of the most controversial directors in history Leni Reifenstahl, this straight-forward historical biopic from German writer/director Joachim Lang covers the close but at […]

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Talk to Me (2022): A Riveting & Confident Indie Horror Debut

Alex Paine 20/06/2025
Talk to Me (2022): A Riveting & Confident Indie Horror Debut

In light of the upcoming release of Danny and Michael Philippou’s sophomore feature Bring Her Back, Second Sight have released a limited 4K/Blu Ray edition of Talk To Me – their directorial debut that put them on the map. It’s a film that I lump in with other recent horrors […]

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Bleeding (2025): Indie Horror Drama with More Bark Than Bite

Mike Leitch 18/06/2025
Bleeding (2025): Indie Horror Drama with More Bark Than Bite

Following its world premiere at Grimmfest in 2024 where it won Best Screenplay, Bleeding arrives on Screambox as the latest attempt to refresh the vampire genre. The film starts as a drama about Eric (John R. Howley), helping out Sean (Jasper Jones), who owes a lot of money to some […]

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The Wind Will Carry Us (1999): Kiarostami in the country

Graham Williamson 16/06/2025
The Wind Will Carry Us (1999): Kiarostami in the country

The theme of the stressed-out, materialistic big city professional finding renewal and redemption in a small town is one mainstream cinema goes back to time and time again, and it usually makes my teeth itch. If big-name American directors really found Midwestern small towns as life-affirming as they claim to, […]

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In the Lost Lands (2025) A refreshingly middling blast from the past

Simon Ramshaw 11/06/2025
In the Lost Lands (2025) A refreshingly middling blast from the past

Nostalgia can hit you when you least expect it. Just when you’re feeling a lull with the state of cinema, where long-running brands seem to be running shorter and shorter, when genres grow as tired as your heavy eyes, along can come a blast from the past to remind you […]

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Falling Into Place (2023) From Meet-Cute to Ugly Realities

Mark Cunliffe 06/06/2025
Falling Into Place (2023) From Meet-Cute to Ugly Realities

Released to cinemas on 6th June, Falling into Place is the directorial debut from the German actor Aylin Tezel, who has also written the screenplay and takes the lead role of Kira. Set in the urban metropolis of London and the windswept and rural Skye, Tezel’s seemingly personal film is a […]

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Dangerous Animals (2025) The Must-See Bloody Horror Film of the Summer

Alice Boyd-Leslie 04/06/2025
Dangerous Animals (2025) The Must-See Bloody Horror Film of the Summer

Dangerous Animals features 3 of my greatest fears: the open water, sharks and a deranged (but sexy) serial killer.  Director Sean Byrne takes the shark movies we all know and love and breathes fresh life into it – it’s sexy, it’s violent, and it’s pretty funny too. Centred around our loner […]

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Darling (1965) The New Morality of the 1960s

Mark Cunliffe 03/06/2025
Darling (1965) The New Morality of the 1960s

Celebrating its sixtieth anniversary with a return to selected cinemas from May 30th and a Blu-ray release by Studio Canal’s Vintage Classics label on 16th June, Darling is John Schlesinger’s multi-Bafta and Academy Award winning 1965 starring the impossibly glamourous trio of Julie Christie, Dirk Bogarde, and Laurence Harvey. It […]

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Ishanou (1990) Indian regional cinema probes the mystery of faith

Graham Williamson 03/06/2025
Ishanou (1990) Indian regional cinema probes the mystery of faith

Standard screenwriting advice has it that nothing confuses an audience faster than unclear character motivations, but some of the most powerful stories succeed by refusing to do exactly that. We never learn what made Daniel Plainview so embittered, or why Iago hates Othello, and nobody worth listening to would say […]

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The Umbrellas of Cherbourg (1964): Colourful But Lifeless Musical Drama

Mike Leitch 03/06/2025
The Umbrellas of Cherbourg (1964): Colourful But Lifeless Musical Drama

If you wanted to be mean, you could describe The Umbrellas of Cherbourg as what people who don’t like musicals think all musicals are like – big emotions, melodramatic story, characters singing all the time when they could just talk normally. On the flip side, it is also a musical […]

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